266. despite many
misgivings of several kinds however Rev and Jo love their son’s
passages glorifying geographic nature
At any
rate: when they got to the second page, Rev and Jo ABSOLUTELY
LOVED AND ADORED their son’s description of the Yoho scenery
as seen from Wiwaxy. Maybe because they had honeymooned there
in the thirties and hiked up to the same spot themselves. Who in the world knew
what the reason might have been exactly? Everyone was
afraid to ask the Reverend or his wife.
Either one.
But
afterwards a few high-school-age choir members wished the
Lorenzos had ‘just said
it, then’, if it had been as many of them suspected: “That’s where we made love
the first forty-nine times,
Instead
of getting, as the choir gals and guys put it, “All
out-of-their-p-t-minds, inexplicably ecstatic for ever and
ever, over a ‘p-t’ piece of nature description.”
By
‘p-t’ they meant ‘puppy-terd’, as the choir youths explained
to Sammy Martinez several years later.
Then
the Lorenzos would not have had to give a copy “Of that p-t
page from their son’s ‘first cool book’” to every single church
member leaving after the Sunday morning service, when
they shook the preacher’s and preacher’s wife’s “p-t hands” at
the door, Fourth of July, 1971, raising such an excitement it
created a bottleneck in the church vestibule for people trying
to get past and out the door, and the choir director sprained her ankle,
fell in the doorway and got
trampled by her own choir members, sadly, and had
to live for ‘a whole
p-t year’ in a body cast.
And
then, as if art had not created life overmuch by now already,
so much so that it should have put a whole lot more people in
p-t body casts, the poor choir director had ‘written a p-t
book’ to lambaste ‘the p-t Lorenzos’, but not their
‘cool son’, and all this had ‘killed decent Sunday morning
music for a whole p-t
year at Florence Emmanuel Methodist’.
And
with that revealing comment, of course, the foul-mouthed ire
of the choir boys and gals got its severely overdue
explanation. Finally.
267. Jo is ecstatic
with her son’s description of Canadian
But be
that as it been, as it were – (and Jo did feel pretty bad
about the poor choir director; but) – Jo Lorenzo simply could
not focus on it because, as she demonstrated nine years later
during interviews with Sammy, she could not stop raving about
this nature piece of mj’s still, even after so
many years. She could hardly put it into words.
Maybe
it was the way he had likened mountains to flowers. It warmed
her heart the way Hungabee’s just-pre-sunset alpenglow was tinted ‘Peace Rose’,
she could not deny, ‘Peace Rose’ connoting a soft, gentle
blend of yellow and pink. She knew that her son’s love of
flowers, and of his favorite rose, the ‘Peace’, had been
learned from her, not from his father, who knew very little of
flowers or gardening.
And
suddenly, in saying this, she was helped to understand, years
later when it hit her finally, what ‘Peace Rose’ had meant in
‘all those crazy-banana formulas’, starting with the
Triptique. It had meant: ecstasy; delight; mountain high;
psychic high; love of Dlune; ‘maybe even love of
woman’, Jo thought.
And
when Sammy, during an interview, had told her he always took
it to mean the natural high you got from natural animal-human
‘love’, for he knew better than to use the word ‘sex’ around
Jo, she agreed that this had to be ‘at least a good part of
it’. Or, as she said to Sammy in a whisper, leaning over
toward him with a cute smirk, ‘maybe’ one might call it:
‘Thunder Medicine’.
In
other words: SHE GOT IT!!!
Peace
Rose and all its equivalents meant all different forms of
ecstasy, including THRILLINGLY GOOD LOVING CARING ADORING
boy-am-I-ever-lucky-to-be-able-to-share-human-life-on-the-planet-with-you-type
ALL-OUT
DELIGHTED SEX, in modern French. A great, genuinely loving
lay, in modified
And
maybe some day there would be a pundit school to explore such
things as whether an experience of ecstasy could be had just
THINKING about those better pushes and pulls, or just READING
about them, or howzabout ALL BY ONE’S LITTLE SELF, like Jack
naked in Fort Smith. The possible questions for pundit
exploration remained legion, still, even after thirty or more
whole years of exploration, said some pundits. And all of
those questions were bound to be asked one of these days. It
gave pundits something to live for.
Needles to say.
And
so, as soon as possible
after that Sunday, Rev and Jo showed the Wiwaxy passage
from ‘our son’s
first book’ to
everyone they knew, universally beloved as he was. And
they always tried, of course, to be more display-avoiding and
frivolity-shunning, lest another innocent bystander get
trampled.
268. but mj never turns
up and a pagan holiday vision compels Rev to publish The
Remaking
Yet all
mj’s terribly scandalous ‘Crack-Up’; and all of the
never-ending, intellectual, and boring ‘Freeze-Up’, as the Lorenzos
described it (seeming to forget the romance they had loved
throughout the long wintery sections of the book); and all of
the rest of their son's ‘risqué’ yet ‘tame’ ‘Break-Up’,
they kept completely to themselves month after month, still
waiting for him to show up so they could personally hand him
his ‘first attempt at a modernistic novel’ back.
For he ‘might need it some day’,
as they said, meaning for
fire-starter, they hoped. No doubt.
And they
waited and waited. Until they were so worried, after four
whole summer and fall months of 1971 hearing nothing, that Rev
felt compelled,
and made a decision on Halloween of ’71, when he saw the
scraggly black and orange trick-or-treaters with their empty
plastic grocery bags. And poor little mj, Rev’s little
eight-year-old boy, with his dark little eight-year-old Indian
girlfriend, never even came to the door with palms out asking
for candy, neither of them. Dressed or not dressed would have
been okay, both of
them. That was how Rev thought about mj all Halloween night.
And who in the world could say why?
But it
changed the world for not a few people. So who could knock it?
Because: when little eight-year-old mj never showed up with
palm out, Rev decided to finally let the cat out of the bag
that offspring of his and Jo’s was ‘half-psycho-bananas’ on
the loose, probably starving and living with some Indian
cutie, stretching meager means further, for she had walked out
of her nurse’s training like he had walked out of his
doctor’s, ‘just to make
two of a kind’.
Rev
swallowed his pride, NEVER SAYING ANY OF THESE WORDS TO A
LIVING SOUL but Jo. And he went and handed out The
Remaking all over God’s creation AND the smoggy Delaware
Valley – mainly the latter, though it ended up
everywhere in creation – finally inured to the disgrace and humbly asking
many different kinds of real human-animal people in that
world, many of whom he would never know or want to know, to please help him find
his poor lost son.
269. THEN mj lorenzo
comes home to Mommy and Daddy at last
And one week later:
fully clothed, for once, in spiffy, spanking new, leg-hugging
western jeans; and a cream-colored western shirt with maroon
rope trim; a stunningly handsome black cowboy hat; and shiny tan alligator
cowboy boots; one week after the last copy of The
Remaking was handed away personally by Rev in Philly and two
weeks before Christmas his son showed up,
squaw on arm, looking none the worse.
Not half
bad, either one of them.
Actually better than before,
Jo thought. Yes. Definitely.
His face was ‘sweet as ever’ but a touch more manly somehow.
And he was
almost as dark as she,
‘that Indian wife of his’.
And Rev,
well: he bit his tongue; gave his son three hundred dollars in
fifties; and shot six
rounds of eight ball with mj in the basement, the ladies
in the kitchen washing dishes and considering meatloaf recipes
and first trimesters.
And she, the new foreign
wife: she
actually spoke perfect and even rather intelligent
American-sounding English.
270. opening passages of
Harlequin: ‘I am high
on o-two’.
Webster’s New
Collegiate Dictionary, Second Edition, 1956:
Columbine… the saucy, adroit
sweetheart of Harlequin in old Italian popular comedy, in
pantomime, etc.
Dlune = Peace River = Peace Rose = Rose Window = Window of My Soul = Hungabee
mj (as Thunder
Man): Dlune. I
want you to wait here for me. According to your people’s
legend, as you tell it, I should have made this trip alone
to start with. Maybe that sounds patronizing. I don’t mean
it to. I just want to do it myself this time.
Before dawn
tomorrow, down there in the camp, we’ll crawl out of the
sleeping bag and you’ll see me off. I’d like you to come
along the lake shore with me but from there I’ll go it
alone. I’ll be back
by dark.
In case you have
to come for me, I intend to reach
the Divide just south of Hungabee and Wenkchemna (he points
south, to each landmark again, for the third time in an
hour), at
Don’t cry!
In the morning I
may weaken and let you come up with me as far as the
plateau.
Dlune (as Mink
Woman, i.e., sobbing): Oh, mj.
271. Jo Lorenzo’s
favorite part of The Remaking
Dlune and mj are
sitting high above Lake O’Hara, in Wiwaxy Gap. A local tribe
called it that for eons because ‘Wiwaxy’ meant ‘windy’ in
their language. The gap is a wind funnel. At the moment wind
is sweeping southward up Cataract Valley, up the north side
of Wiwaxy Peaks, and funneling through the gap like a dry
typhoon, carrying their voices away with it, down into the
shaded emerald green lake far below at their feet and south
up the other side, up to the Opabin Plateau, then
concentrating and accelerating again, whistling through
Opabin Pass southeastward past the peak the local Indians
called ‘Hungabee’ because it meant ‘Chief’. It looks like a
chief, has the grandeur and presence of a chief.
Midsummer
late-evening sun lights the timeless Hungabee grandeur from
the northwest. The shadow of Wiwaxy is cast across the lake
in front of the two and up the enormous, un-vegetated,
un-iced mound of primeval brown mountain immediately on the
opposite shore of the lake, leaving its pyramid top
un-shaded and golden brown still, lit up by lowering sun.
Flanking this mound or mass, beyond it on left and right are
two higher, more severely ice-carved, knife-sharp peaks,
grey hulks of exposed pre-Cambrian strata that dominate the
region with their height; and Hungabee is the one on the
left. Between them forested Opabin Plateau has already
fallen into darkness.
The peak on the
right is closer to the two hikers than Hungabee is, and
farther away than the dark mass in the center foreground.
It all looks
arranged in the old Japanese way, like the flowers and parts
of an ancient, classical-era Ikebana: center, right, left;
foreground to background: dark and heavy at the bottom,
light and airy at the top.
The two flanking
peaks are partly snow-covered. And Hungabee’s raised and
glimmering butcher-knife-tip of grey rock and white snow
still glows Peace Rose, warmly, in the slowly setting sun.
The background is
a blue satin sky fitted with a half-moon.