A
mandala is an antidote to a chaotic state of mind.
Logo © 1970 Dr. Mortimer Lorenzo, M.D.,
Psychiatrist, Fort Smith, Alberta
Artwork
©
1970
Mortimer Lorenzo
77.
While
motor-canoeing upriver all summer long, Jack had spent many
hours letting his ‘mind’ wander over maps he had found in the
“M” Volume and in National
Geographic issues that had survived the Crack-Up
somehow. And he had been drawn to wondering about
True,
it was essential that he made note of the fact that one day in
the future when he would leave Resolution and follow the south
bank of Great Slave Lake, turn to the right and head south up
the Slave, the principal tributary of the Mackenzie; by
whatever means; whether by shanks’ mare, motor canoe or mental
caprice alone; there would be hardly a settlement for a
hundred miles until he got to Fort Smith. So he would have to think about
that town, even if only as a place to re-stock supplies.
And –
even – as later critics and skeptics of The Remaking
admitted: if mj lorenzo had been just hiding in
But
Now:…
any regular G.I. Joe of the Western world with a regular
thinking ‘kanoodle’ attached to his darn ‘conneck’ would have
HAD to find ‘this LINE
thing’, as Rev put it (a bit rancidly), just a
‘ka-wirky’ detail; as quirky as the special numbers on the
speedometer that had compelled him, Rev, over the years, to
slow the car, pull off on the shoulder and stop to say, “Look,
Mortimer! Look at that number: ‘99999’!” Regular
‘Anglo’ American baseball Joe-types like Rev knew better than
to ‘read anything into’ those unique and funny numbers. And
regular Western world thinkers could hardly deny the fact that
everyday logic, even common sense, would have to require that
But
such ‘rules’ and ‘laws’ as governed Jack’s ‘thinking machine’
were of a different order. On two of his maps the dot for
This
rare and uncanny condition pushed a magic poetic button in
Jack Lorenzo.
And he
got it right. AS USUAL,
as the pundits screamed later. For:
Two
neighboring and juxta-butted areas could hardly have been more
electrifyingly opposite
and therefore magnetically
interrelated: to a super-intuitive nervous system like
Jack’s, that is.
And,
moreover, and even more amazingly: it meant that opposites
were no longer opposite: in
And
so:
So
naturally, then, heading his motor-canoe out of Great Slave
Lake and southward up the Slave, the biggest tributary of the
greatest river of the western hemisphere’s vast northwestern
expanse, Jack, when suddenly splashed by turbulent and
painfully freezing water, sensed that something incredible was
about to happen. And in fact:
What
would it be? He was too spontaneous and too trusting to sit
around wondering. He could not see through his psychic
telescope at the moment anyway, and before he could wipe the
icy splash from his intuitive centers, it happened.
Jack
had no fear of magic spots, of course, so around mid-afternoon
he tied up his canoe; swallowed every last bennie he could
find in his bacpack, a whole last big fistful; lifted up onto
his back his heavy, book-laden pack with attached rolled-up
sleeping bag, French horn and pots and pans; and wandered
along the edge of town naked and penniless, addicted and out
of drug, starving and skinny practically to liver failure,
approaching hypothermia, freezing his
soon-to-be-well-recognized deeply suntanned butt off, and it
all happened and was over and THAT: was: it.
78. grand, exceedingly
important and very different
Now
just what occurred in Fort Smith, just what exactly, in the kind
of rational, scientific
language most people of the Western world annoyingly
considered always essential in this age of science and
therefore demanded, in order to feel sure that they fully understood and
therefore could believe something they were
told: that big question was always a subject of great
debate among the cultish group of cogitators who discovered
the original version of The Remaking soon after Rev published
the envelopes as a book in late ‘71. These commentators and
scholars all agreed
for years that it
was grand and
exceedingly important, the incredible thing
referred to in the
But
what it was exactly, even Rev and Jo could not figure out at
first from the crazy, consarned stuff their son had sent. They
merely noticed, as soon as they picked up the pile of papers
and read, that nuances of a new world greeted them everywhere.
The handwriting was suddenly refined and miniaturist, even
legible. The letters were signed ‘Mortimer’, and they referred
to Jack as if he were another person, out there somewhere,
still wandering about and still functioning: to a certain
extent.
All
this was clear and agreed upon. No one who got caught up in
the debate in later years ever questioned the fact that brainy
Mortimer had taken control of mj lorenzo again ‘in
There
were three possibilities where ‘they’ might ‘be’. Everyone
agreed on this much. But none of the three possibilities fit
all of the data, seemingly, and everyone agreed on that too,
with the result that every
commentator or scholar forever thereafter was left to
choose one interpretation and cast no aspersions on
brother or sister who chose another. And that remained
tradition among pundits forever after; for in a sense it
made little difference.
Rev,
for instance, had never completely bought the claim that his
son was in
Jo, on
the other hand, was convinced beyond possible dissuasion that
her Jack, ‘my Jack’, had walked into
Yet
her phone calls to her favorite – by now – RCMP officer in
The
third possibility was that Mortimer and Jack were writing from
a hidden location in West Philly or elsewhere, a theory taken
lightly by pundits in early years but examined with increasing
suspicion as decades passed.
79. encounter? what
encounter?
There
was evidence in the material from
Yet
the nature of mj lorenzo’s ‘condition’
might allow such bizarre possibilities, apparently. Or
so Rev thought aloud to Jo, not very pastor-ly.
“Where
did they meet?” Jo demanded he answer. “How??!! As two
people??!! Peacefully? Did he try to kill himself?” she
punched with her voice, demanding of Rev, as if he might know
something she did not. “He had threatened to do
that now and then, by trying to ‘kill’
‘Mortimer’, hadn’t he?”
she demanded loudly that he confirm, as if she were the Greek
chorus, and Rev the only stage deity ecclesiastically
permitted or equipped to interpret the cryptic oracular
scripture of the bozo son.
In
other words, was poor bemused mj okay?!!!
Both
Rev and Jo thought something
must have happened between the two infamous halves of their
divided son, because of Mortimer’s title on the first page,
which was so unlike others:
Yet they
had just read through the darn
How could
anybody’s dang son,
asked Rev, grabbing the thick bundle of white 8½X11
papers from Jo’s hands across the table, named ‘Mortimer’ or
whatever, write so much ‘erudite Bullschweiger’,
and never mention exactly what happened
between him and Jack? Wasn’t that usually basic? Rev
thought no young man would write in such an obtuse way,
unless covering something up. And he knew what, he was pretty
sure, but he was not ready to say it.
Whereas: Jo
was of the opinion that the answer must lie in the Fort Smith
papers in riddle form,
and their job as the first honored readers of their son’s
first ‘modernistic autobiographical novel’ was to help future
generations of readers by figuring out the riddle.
In other words she had come around to seeing The Remaking as both serious fiction and
serious reality for the moment, not so un-astutely, and
was politically sharp enough too, by the way, not to say
‘fiction’ out loud to Rev, but only ‘riddle’.
They
went back and looked at the first page of the envelope’s
papers more carefully this time, but it made no more sense
than it had the first time:
On
the Border
November
A
mandala is an antidote for a chaotic state of mind.
the
lines of my Albers Conical Equal-Area Projection of
make
a
square approaching a circle
which
(the
earth
is exploding on my map)
like
a
rose-window mandala
first
shattering
then
mellowing
my
façade
is
the
universal symbol
of
transformation
80. a trip summary so
curt and compact as to be comprehensible only barely
Boy. That might be the riddle in
question, but it had them
beat. They were nonplussed by such verbiage, and they left it
alone. Then, on the suggestion of the chapter title, still
looking for an ‘encounter’, because an ‘encounter’ might mean
that the intolerable movie was over, finally, and everybody
could go home to bed, they plowed once more through the
densest concentration of absolutely abstruse verbal formulas
since MENE MENE TEKEL UPHARSIN. The first page or so was
introductory; and the whole thing was called:
Mortimer’s Cryptic
Triptique
leaving ‘Jack’
and the
and entering
heading home
I leave an exploding land of fantasy
the petals of the rose that once was I
are still drifting
earthward
the rose
windows of all
could not
together pacify me now
and defenseless
gathering myself together
bound to be wounded again in my exposure
I step again
innocently
into the real world
I think
or
into the world as it is for most people
I know
there to crystallize
in a new
‘Mortimer’
Here are some things they are saying
about
(1)
(2) Stretching sixteen miles south from
Fort Smith to Fort Fitzgerald are the only impassable waters
of the Mackenzie system between the Arctic and Fort
Chipewyan, “The Rapids of the Drowned,” culminating in a whirlpool at
Fort Fitzgerald. Mackenzie
writes in his journals that the longest portage, “
(3) The town is segregated de facto
between whites in government houses and Eskimos and Indians
in wooden shanties.
(4) And it
is in
(5) There she attends a college named
Grandin, whose stated intention it is to ‘make the Indians
into responsible citizens of
(6) She walks there daily from her
shanty house near the edge of town, near the woods where one
of my own trap lines will have to neatly terminate,
therefore.
(7) They say she already loves me. (But
here I am getting ahead of my would-be story.)
In the time it has taken me to
indiscreetly summarize
The
material that followed was as dense as mj lorenzo ever got, as
dense as a Black Hole, and Rev and Jo after one quick look at
it for the second time in a night zoomed past the matter at a
dazzling speed, faster than two electrons past a nucleus, just
to breathe deeply again on the far side as soon as possible
and not get sucked up forever into divine solidity and
annihilation. When you read the ‘Cryptic Triptique’ as fast as
this it was kind of interestingly hypnotic and dizzying.
Yet in
months to come they would allow themselves to sink into it and
grasp the cryptic trip plan a bit, and even appreciate it. A little. For: it
super-succinctly outlined the mandala of the entire Remaking
year, outer world and inner world both, and served as a
structural guide to the story and mandala, like the ‘map’ ‘key
or legend’ Jack had mentioned as necessary for understanding,
but had never provided.
Mortimer
had finally clarified a million things on one page, proving
that, though hardly human, he could be useful. For Jo’s
‘Jack’, as Rev reminded Jo, though Jack might have been truly
winsome at times, had never even attempted such an
all-encompassing vision. And so, in the weeks and years to
come they would sit and look at the thing sometimes during
quiet evenings at home, like they might have checked any
fascinating key to a complicated, high-intellect game or book,
just to see what they might have missed on previous readings.
And – any more than they might have done with any informative
key – they almost never tried to look at every succinct detail
in a single sitting, but preferred to put it aside ‘as soon as
their brains reeled’, meaning after a minute or two, usually.
Since
so much of it was ‘prophecy’, as Jo said, i.e. a vision of the
future like Joseph’s bowing sheaves or any other Old Testament
prophecy, they would only be able to really grasp it, anyway,
as the real details of their son’s future unfolded. For, as
she said (trying to calm Rev down), not a single one of
ancient Israel’s children knew for certain what all those
funny bowing-down sheave-things meant in the little boy
Joseph’s youthful dream until he had suddenly vanished one day
and years later the whole family was starving to death and
exiled in rags, and there he was too: in kingly robes
reigning in a
sub-palace of the pharaoh in Egypt. And there they
were bowing down to their own far-from-perfect family
member, Joseph, bending down to the ground just like a bunch
of bent-over sheaves of wheat, begging him for food.
And
fortunately for world peace and Methodism Reverend Lorenzo did
not catch Jo’s cheeky hidden meaning in that one, as the
pundits chuckled later.
Strangely
enough, though, the Lorenzos found that once in a great while,
when in just the right kind of relaxed, dreamy yet wide-awake
mood, they could stomach more than two minutes of this dense
legend. And both admitted that over the ensuing years, when
these rare and special times occurred, maybe once every few
years at best, they were able to absorb something closer to
the whole thing, all at once, and absorb it properly, i.e.,
with about the right depth of openness and understanding. And
whenever this incredible thing happened, they said, it was a
revelatory, exciting, eye-opener of a marvelous kind, ‘almost
as wonderful’ as experiencing the entire upshot of Methodist
Communion at a ken beyond intellect, way, way beyond the
flavor of Mott’s grape juice; or the dryness of
Methodist-preacher-blessed, day-old cubes of white Wonder
Bread (laid out on the silver plates on Saturday). Or, a
better analogy, they said: it was something like deeply
comprehending every hyper-loaded word of the Apostles’ Creed
all in a single eye-blinking second. Something like that.
I
hereby supply a contrived interpretation of my own self,
projecting it into the future as Mortimer Jack Lorenzo.
CRACK-UP
(I) – Jack is writing
(soon
to be criticized by Mortimer, whom Jack thinks he hates but
cannot live without)
FREEZE-UP
(II) – Mortimer writes
(about
Jack, whom he loves, and who – in love? – therefore can
overtake him)
BREAK-UP
(III) – Mortimer Jack must write about himself
(sometimes
briefly missing a part of himself)
Hungabee
=
The Mountain = The Mountain = Hungabee
The
mountain explodes. (It must later, as it also did earlier at
Going-to-the-Sun.)
Any
rose explodes (when it blossoms like a Rose Window), then it
involutes (involves; implodes) to be reborn.
I
explode, periodically, and am in some way thereby
(hopefully) refurbished.
Dlune
has
to explode in order to become known. (I’ll hope to
understand this better later.)
Delkrayle
and
Wrigley exploded with the Blue Buick.
Peace Rose = Hungabee = Dlune = I (at any given
point) = (more crudely) Blue Buick Electra = I (at some
transition point)
Like
'Nuclear
Energy' and 'Mass', these expressions share a common
meaning.
They
are the exploding object-masses which pacify, but do so only
when not exploding, i.e. when viewed from so great a
distance they still appear intact.
Dlune (from a distance) =
Hungabee (from a distance) = Peace Rose = Rose Window
= The Mountain
(The
Mountain
itself is the way up.)
I
(from a distance), as in a mirror, objectified, can
(narcissistically) pacify (myself).
Every
word
I write increases the distanced control I have on these
explosives.
Because
as
I conceive these things in words they are whole entire
units, each an in-itself in its own very self, en-soi en meme-soi.
But
all of them exploded become the subjects known by me
subjectively, implosively and painfully, pour moi, for me,
i.e. when I am not writing, but living, them.
From
a distance, objectively, as objects, they remain intact,
pure, pacifying, comforting, projective devices, mandalas
(even if originally someone else’s) upon or through which I
can arrange my imagination; but once they are known…
Their
explosion
and my implosion to re-collect them can be pleasant or
unpleasant, ecstasy or psychosis. (But even ecstasy can be a
loss if it lasts too long, while even psychosis may be good
for quite a few amazing things.)
Implosion
is
a reaction to explosion. It re-masses the energy for a
second discharge, and
As
the depression of Freeze-Up fades, energy will collect for
the shooting and sunburst of Spring Break-Up.
The
suicide-murder is a self-amputation, and a rebirth of the
poorly controlled passionate brother-self, Jack (that wanted
to kill the non-passionate part, Mortimer).
Energy collected in Freeze-Up = Winning of Dlune as
companion for the Spring trip = Overconfidence and a coming
explosion (a budding rose) = Dies again the controlling
conscientious Mortimer, who revives with Spring Break-Up and
rises in Part III to reach a new equilibrium with
(incorporated in) a more passionate self
Childhood = Innocence = A Rose = An Object = A
Blue-Green Fantasy World
Each
of which is burst to become: experience,
knowledge-as-experience, insight, and special insight like a
Joycean epiphany.
The
explosion will fade as the energy is spent, if no new energy
is being re-furnished. The ideal condition, therefore, will
be the steady conversion (E=mc²) of exploding 'Energy'
(Jack) (‘E’) into imploding 'mass' (Mortimer) (‘m’), somehow
connected by the speed of light, for steady use by a
steadily exploding-imploding (but not too catastrophically
confrontational) united self (Mortimer Jack).
Extremes
of moods and life-styles occur more commonly in adolescence.
Within an individual nation-state, they occur in some
‘adolescent’ transition.
Explosions
in this universe occur… along the Great Divide:
(2)
Peyto Lake Motel in Part III: a near-explosion, when
observing the once-exploded-in-anger heaped-up Backbone of
the World.
(3)
Will
the spring Break-Up be an unharnessed explosion? No, but it
may be the start of one budding.
81. an encounter in a
psych place
Even
just glancing at
such a dense summary of meaning left Rev and Jo dizzy for the
second time in a day and made them wish their son wrote simple
adventure romances, not exalted pedantic riddles. For though
it might ‘de-riddle’ his
be-riddled universe, and they were happy for him if it did, it
did not de-riddle their
be-riddled parsonage; because they had not yet found the
‘encounter’ loudly announced in the chapter title, the
‘encounter’ that might mean their son was healed-and-whole
again, and now everybody could get a break from tiresome
duality reality.
So Rev
gave half the pages to Jo and they thumbed through
frantically, rather than read aloud as they usually did, for
that could conceivably take all night, and they were irritated and tired.
And in this ingenious, energy-saving way Jo found the
‘encounter’ they sought buried deep within the pile of papers.
Obviously
they had slept through it, including the one who had read it
aloud. And that did not say much for Mortmer’s writing.
Or so
thought Jo as she began reading the ‘encounter’ again to Rev:
Having
exhausted
himself in a last fit of devouring rage, Jack has fallen
mute on a hospital ward at
But
in such a case, who should I say has become whose doctor?”
“There,”
said Jo. “I knew
it, John. Jack’s in a psychiatric place in
“And
Mortimer is Jack’s therapist!” Rev added with a face that
said: ‘And what the Dickens does that prove, oh
correct and cheery one?’
And
surely he meant that his wry face, as well, should express
sarcastic wonderment over the fact that Jo could mention only the half of mj that
she always favored, ‘Jack’, though her Jack was so smart
he was practically dead
from fun. While their son’s decent half, Mortimer, was
the only half of him sharp enough to be thinking and writing
and making things clear, and even writing to her personally
at the moment, answering her questions
about his book, and even ‘taking care of’ ‘HER Jack’!
Rev
kept this to himself and said only that she was right:
SOMEBODY had been in
Twice
in a lifetime would
have been fatherly enough.
82. inevitable magical
Freeze-Up hits the magic spa of
Meanwhile:
back in
And as
for Jack tying up his boat and walking up the green bank, this
additional dimension of grand timeframe significance left no
doubt in his mind that
And
the street light outside the hospital’s psych ward was glowing
with increased, and
more meaningful, intensity.
83. inevitable magic
Freeze-Up has to hit mj lorenzo too therefore
It all
meant a Freeze-Up would have to freeze
mj lorenzo up too, not just outside the hospital
window, but inside, way inside in the world of spirit;
psyche; the mind and emotions. Many cogitative experts
on The Remaking would say later that even mj lorenzo’s physical body was
experiencing transformative changes at this moment: ‘one
becoming two, so that two could become one again all the more
quickly’. Mortimer realized the inevitability of it all the
very moment his grey matter clicked in and began to work like
normal again, right at the moment in the late afternoon when
the river froze and Jack ceased to function on mj lorenzo’s
behalf, seemingly. He saw that he, Mortimer, since he was the
only legitimately credentialed intellectual logician for
either half of mj, now
or ever, as he bragged, given his vast higher education
‘in the world’s best schools’, would have to think very hard until
he comprehended in what manner, exactly, the two of them were
about to go cold… and freeze down… on one another.
And
this duty which Mortimer understood as his and his alone
explained how the Triptique and related analyses had come to
exist within less than a day after Freeze-Up. The entire pile
of papers marked ‘
Enough
of the trip had occurred already, they said, that he could see
for the first time all
of the major patterns determining the year overall. Suddenly,
for the first time, he could see well beyond the winter ‘on an
island with an Indian woman’, and well beyond the trip ‘up the
Peace’ with ‘that Indian woman’. He also saw there would have
to be a ‘third encounter’ with Jack when winter finally
thawed. And he saw there would have to be a midsummer’s climb
up
And as
for the chief drama of the moment, the setting-in of winter,
that is, and the anticipation of the ordeal of the many dark
and freezing months to come: Mortimer’s understanding of it
quickly came to be rather complex, but not necessarily
impossible to fathom once laid out in plain language. The
problem for poor Rev and Jo was that their beloved son rarely
used plain language any more. But whether they understood it
or not, at least Mortimer gave the impression that he did,
judging by the extensive way he wrote about it in his ‘
There
was no doubt, as pundits observed later, that once Mortimer’s
great intellect was back in shape, he had quickly figured out
the whole complexly frozen relationship he and Jack would
‘enjoy’ during the long, cold, nearly pitch black northern winter. But his
descriptions of it were exhaustingly boring, dry and twisted.
Cold!!! They left even Rev utterly ‘depleted of humanity’, as
he could not help complaining.
“Mortimer’s Darn Frozen
Metaphysical Meatballs,” Rev said to tickle Jo, might be
digested if boiled down to a simple phrase and ‘put through a
strainer’. But then they had to be vaporized ‘in a
crematorium’ to ‘get past your mental teeth’, which refused to
open in any case.
In brief, you could say, therefore, that:
Freeze-Up meant the opposite of expansion and mania. Mortimer
and Jack together
would have to suffer a depression
and contraction during the winter, but a depression for
the right reasons this time, by definition, because part of a year-long
curative trip, designed to make mj lorenzo a new and
much better person. That was Freeze-Up in brief.
84. Mortimer analyzes
Freeze-Up
Yet
Mortimer simply could not suffer any short-windedness to lie
around unembellished. There was never any ‘in brief’
where Mortimer Lorenzo was concerned. The best way to
anticipate how he and Jack would most likely relate over the
winter, according to him, and in ‘just a little more detail’,
as he put it to his parents, was to visualize the
inside-outside paradigm Jack had intuited and used in earlier
mailings. Mj lorenzo’s manic episode, he said, had started
when Jack had burst out from inside the stifling shell
surrounding him, burst out from inside his ‘Mortimer’ shell,
that is, shattering the shell into tiny pieces. And now, as
the cold winter’s depression set in, the shell was
re-congealing rapidly, and Jack would have to eat that shell,
bit by bit, quickly,
or he would end up locked inside it again.
The
early Remaking pundits would put their own twist on this a
year later. Since the shell consisted essentially of
Mortimer’s cold, lifeless, humanity-less intellectual
conceptual framework put
down on paper, as they said, then Jack, spending the
winter mute, because depressed, would have to eat Mortimer’s
dry lifeless words in
written form, those words that constituted that
confining conceptual framework shell. Jack, to make sure the
shell never succeeded in fully enclosing him, would have to eat those
written words month in and month out, or as long as the
written words kept coming, only this time unable to comment on
them as he had been able to do over the summer.
Granted,
yes, he had spent the summer, too, eating Mortimer’s words
from his notebooks. But the one in charge back then had been
Jack, and he had always had plenty to say about Mortimer’s
words. Now, however, Mortimer was in charge. Mortimer was the
doctor, this time, not Jack. Jack was just the patient this
time around, and Freeze-Up and its implied automatic
depression were making him mute.
And
heavens! What a patient he was! How upset Jo would have been
if she had seen him! It was a good thing that Jo’s RCMP hero
protected the poor boy’s confidentiality, if indeed he did,
because no parent deserved to know everything. Jack
Lorenzo would have divulged the grossest details in letters
and even photos indubitably, if he had not been mute and
locked up, because in his childlike chimpanzee-ness, he always
thought any kinky thing he did absolutely wonderful for
everybody in the world to see. But Mortimer left those details
kindly out of the envelopes just for that very reason.
1 Mortimer’s idea that ‘the
universal symbol of transformation is a square approaching a
circle’ he learned from Carl Jung and the Jungians. Mj’s
pundit following over the years usually assumed that mj had
carried to the
Mj lorenzo
attended classes as a ‘matriculated auditor’ for several
months at the Jung Institute in
2 Early
pundit research determined that mj ‘must have’ preserved from
his Crack-Up the National
Geographic issue from July 1968 with its big,
magnificently illustrated 40-page article, “The Canadian North
Emerging Giant;” and probably, too, the September 1966 issue
with its article, “Canadian Rockies,” which focused attention
on the Lake O’Hara area, its rustic inviting lodge, campground
and devoted hikers; and contained a big folded map of ‘Western
Canada,” probably the map he studied most since it showed
everything from Inuvik to Glacier Park to northern Wisconsin
in quite a bit of detail. The Dr. never contested these
claims, but when zealous followers added that he must have
also carried the August 1955 issue with its “Across Canada by
Mackenzie’s Track” and the August 1931 issue with its “On
Mackenzie’s Trail to the Polar Sea,” he looked up both
articles, found them both interesting but unfamiliar and said
the pundits were ‘brilliant as usual but wrong this one time’.
Most of his ideas on Mackenzie, he said, had come from
Mackenzie’s own journals and, to a lesser degree, the tiny
article on Mackenzie in the World Book “M” volume.
3 The
National Geographic map of “
4 The
Mackenzie River and its
5 The
curvaceous and wandering ‘line’ of the ‘Continental Divide’
marks the exact boundary between waters that flow west into the
Pacific and waters that flow east into the
6 Royal
Canadian Mounted Police, also called ‘Mounties’, the
traditional police force for the more ‘natural’ and ‘backward’
areas of Canada. They wore red and black uniforms, rode on
unusually handsome dark horses and historically radiated an
image and reputation of being perennially impeccable, nobly
restrained warriors for good. And since they lived by their
reputation that ‘A mountie always gets his man’, and since
they had never been able to say to Jo Lorenzo the magic words,
“We got him,” the upshot was that the argument of the Remaking
skeptics – which collected a great deal of steam over the
years – that mj lorenzo never set foot in the Northwest
Territories or Fort Smith during his ‘remaking year’, seemed
even more plausible.
7 When
Sammy Martinez interviewed the Lorenzos for his 1980 ‘first
revision’ of The
Remaking they confessed that their son’s Cryptic Triptique
had reminded them of some of Thompson’s one- and two-page
‘keys’ to the Bible. Sammy wrote in the introduction to his
1980 'First Revision', “Rev Lorenzo got up
from the pink and aqua couch where he and Jo were sitting
across from me in their
8
Mortimer here is pulling his French terminology from the
existential philosophical language of Sartre's Being and
Nothingness.
9 James
Joyce, the early-20th-century Irish novelist, used
the notion of ‘epiphany’ to explain his view of how art got
created and communicated, in his early book, A Portrait of the Artist
as a Young Man.
10 Einstein’s seemingly
superhuman discovery, E = mc², might be understood as
meaning that the amount of potential energy (‘E’) presently
invisible and locked up within a given object is equal to the
‘mass’ (‘m’) in grams, i.e. weight in grams, of that object
times the square of the speed of light (‘c²’). Or, in
plainer words (but not very accurately from a nuclear
physicist’s point of view): if you take a wooden table
weighing 20 kilograms and attempt to unlock its potential
energy and turn it into real energy, let’s say by burning it,
the mass of the table, i.e. 20 kilograms of wood, will result
in an amount of heat energy equaling 20,000 times the speed of
light (186,000 miles per second) squared; or 20,000 X
186,000 X 186,000 somethings of heat energy, which certainly
sounds like an awful lot of somethings of energy from one
ordinary table. Or
something like that!!! Except that Mortimer
‘interpreted’ Einstein’s formula to mean something a bit
different, namely that his own weighty person of ‘mj lorenzo’
as well as the weighty persons of other people, and even
weighty events and/or weighty objects, some even as big as
mountains, instead of just sitting around doing nothing but
weighing down the planet, could be converted into energy,
i.e., action, i.e., a new life.
The Cryptic Triptique, said Dr. Sammy Martinez, could be
seen as an attempt by Mortimer Lorenzo to combine the
languages of several schools of philosophy and/or mid-20th-century
thought into one compact kind-of-formula or kind-of-system for
remaking. The schools of thought included Jean Paul Sartre’s
existentialist thinking and existentialism in general;
Einsteinian relativity theory; James Joyce’s thoughts on
‘epiphany’, meaning an artist’s discovery of the real hidden or
not-so-obvious reality of something; Marshall McLuhan’s ideas
about the many different and formerly very separate countries
of the world ‘imploding’ into one single mass of constantly
communicating humanity while their various means of
communicating with each other were ‘exploding’; mid-20th-century
psychiatric language as it was used for discussing mania,
depression, manic-depressive disorder, Bipolar Disorder,
schizophrenia and psychosis; Carl Jung’s observations on the
psychological healing purpose of mandalas in oriental
religion, and of rose windows in Western religion; Jung’s
thinking in his intellectual blockbuster, Symbols of
Transformation; Jung’s thinking in general regarding how
a person might come to be ‘transformed’ into a new and better,
psychologically more whole and healthily balanced person by
means of what Jung called ‘individuation via the self’; Jung’s
and his students’ study of tribal shamanic psychological
‘maps’ which portrayed the path of transformation for the
shaman, for his patient, and often even for the whole tribe
(since shamans were often called upon to treat problems that
affected an entire tribe, such as a kind of mass hysteria or
mass psychosis); Jack’s inside-outside paradigm which
described the unhealthy hyperpolarization of mj lorenzo and of
humanity at large, where Jack (and Jack-like peoples), in
order to live, had to explode out from inside his (/their)
surrounding Mortimer-shell, and Mortimer (and Mortimer-like
peoples), in order to live – or so he (/they thought) – had to
implode, clamp down on and enclose, confine and imprison Jack
(and Jack-like peoples); the whole modern scientific idea of
using mathematical formulas, equations, mathematical
proportions and the like as a way of attempting to express the
seemingly more fixed truths about our universe; the language
of gardening and botany, including how flowers bud, bloom and
die only to bloom again; the language of Northern Canadian
Native American (‘Dene’) myth, especially the notion of
‘exploding mountains’, as will be elucidated in more detail in
a later chapter; certain concepts of Freudian psychoanalysis;
and the symbolic and meaning-laden story language of Greek
myth.
The problem with the attempt to unify
all of these disparate languages into one understandable
system of verbal indicators in the Triptique was that,
even after many years of trying, very few people in the world
but the hyper-intellectual Mortimer Lorenzo himself could ever
understand the
blasted ‘Cryptic Triptique’; excepting, of course, those
people who had made themselves expert at understanding it,
like mj lorenzo’s ‘pundit’ following.
Accordingly, Sammy Martinez
summarized the Triptique once in this simplistic way: Mortimer
Lorenzo was attempting in the triptique, he said, to explain
how mj had ‘grown’ or ‘matured’ or ‘transformed’ from Jack’s
explosive spring and summer into Mortimer’s implosive winter
of convoluting and devolving back down into his own self. And
once he understood that little but very major transformation
of his own self (from summer to winter), he then found it
easier to imagine what stages might still be needed in order
to complete the transformation process and he began to ‘see’ a
rough outline of his own mj lorenzo future (from his present
winter to his future spring and summer). All of this ‘vision’
he then attempted to condense into as pithy a formula as
possible, producing the
several-page ‘Cryptic Triptique’, whose meaning the pundits
liked to say was ‘as dense as a Black Hole’.
Most Remaking
pundits agreed that one could not really begin to understand
all of the multi-layered nuance in Mortimer’s ‘Cryptic
Triptique’ until one had read The Remaking in its original version and in its
two revised versions, as well, ‘at least five or ten times’;
which, of course, practically every one of them had, and more.
11 See
footnote 6.