HOOKED ON COCALAND
st. mj's guide to paradise for lost gringos
book four:
Here and
Home:
good riddance paradise forever
the
coastal Colombian city of Barranquilla at night
95.
SEPARATION WITH EQUANIMITY: A MODEL.
early morning. the last full day in
Cocaland begins, sammy. it's
unnerving. something
is. everything's
unnerving this morning, and i just woke up. by noon i'll be a basket
case.
by five i'll be
on a litter.
today it's
good-bye Chalo. tomorrow
farewell Adriana.
i'm not up to
it. i hate good-byes. i want it over with.
part of me is
content. i sit on my
side of a double bed, back against the creaking, flimsy
headboard, writing, waiting for Robbie and Chalo to
decide. who must
get up and shower? who
gets to sleep in? Robbie,
knowing i’m partial to the kid, gives in. poor little Chalo goes back
to sleep, wrapped in both of the bed sheets, bumping into me,
leaving a threadbare hotel towel between me and the stained
mattress. he seems
not as ‘little’ or as ‘poor’, when he's sharing a bed with
you, taking your sheet.
traffic rages
in the street, below the window, giving rude, noisy,
horn-honking vent to my feelings about leaving: anger. frustration. despair. nervousness.
Barranquilleños[1] love to honk honk. it's part of the traffic
system. honk honk means
you're plowing through an intersection that has no stop light,
or means you're pissed, get the honk out of the way.
yet i've seen
no accidents. i can't
imagine why.
i'll never
forget the horse cart here in
who can say how
many lanes a street has, or where they might be? few streets are
lane-marked. you
can't tell street from shoulder from median from sidewalk from
yard.
in this country
few rules or boundaries are marked, sammy. you have to know them. and i don't.
you have to
know when and how to violate them, as Cocalanders do all the
time. i know that part
less.
Robbie turns on
the shower and Chalo rolls and groans. i pat his head, not sure how
much to touch my cute new parentless child. at some point in the next
twelve hours we'll see each other the last time. we’ll ‘negotiate in
private’. he won’t pull
any stunts hopefully. no
offers of BIG favors for BIG money. i’m uneasy about it. i'll give him my number so
he can call me collect in
i can't believe
i'm writing this. at
the beginning of the trip i told Robinson i’d concluded it was
impossible to practice psychiatry, write books, and still have
time to pay attention to another person in my home, giving
them the love they deserved. i'd tried it with my own two
teenage kids and it hadn't worked. i'd tried it with
Jaime. everybody
felt cheated.
Robbie wasn't
swayed by any of this. he
thought it should be possible. and that statement from
unadorned common sense, has reached some less complicated spot
in me. maybe it is
possible to devote myself obsessively to a cause, such as a
book, and have time left to care for somebody.
my caring
toward Chalo is parental, as if he were the son i lost, now
returned. there's
affection, certainly, on my side, and ostensibly, on his, for
reasons less clear. survival?
a father? adventure? a same sex attraction? let's hope nothing of the
kind pops up today. i’m
stressed enough already.
being apart for
two months, may help us sort it out. from experience with Jaime,
however, i know that when you think you've defined a
relationship, it can change in a second. what you thought it was, it
wasn't. you were
dealing with an illusion. next
you conclude, logically, that all caring is illusion, all
life. if love can
become not-love in a second, a mirror can become not-mirror. peace can become war.
Robbie says
from the bathroom, "You're defending him so much!"
"I'm his
protector now," i explain.
overnight Chalo
has gone from stranger to protégé. all is illusion. togetherness becomes
separation. the
spot where my feet touch the ground today is called Cocaland,
but tomorrow will be called
it’s all
getting me a little depressed, sammy.
96. NEVER LOSE YOUR SENSE OF
HUMOR, EVER, NO MATTER WHAT HAPPENS IN COCALAND.
11 am. we're on the bus, Chalo and
i, waiting for Robbie. Chalo
watches me write, understanding nothing. he's in the window seat. i'm disoriented. everything is changing, from
wild tropical wandering through Cocaland, to mundane reality
in the states.
Robbie and i
saw the wisdom in not going to Bogotá, so we could
spend today with family. we've
thought of a way i can spend the afternoon with Chalo while
Robbie spends a last few hours with family. then it'll be pack, goodbye
to Adriana, and off to
a driver climbs
aboard. the bus’s TV
set in the front flickers and lights up with pictures. this beached whale on wheels
is leaving, and Robbie's in the bus station, buying presents
for Caridad and Tobías. he'll
make the bus at the last second, if at all. typical. play, play, play. he had to fool around before
asking when the next express bus left for
who do you
think was right? the
bus for
i walk forward
to ask the bus driver to wait for my friend Robbie Rivera who
forgot to grow up. behind
me i hear a quiet, "Mj."
i turn to be
greeted by Robbie in the front seat. he claims he's been there
five minutes, “At least.”
playing.
always playing.
sometimes i
lose patience with the lack of organization, sammy.
i don't know
why. more than anyone,
Robbie has stayed by me these last few years. wherever he's moved we've
gotten together. he has
opened doors for me in
i should
forgive his childlike points, all things considered. usually they are assets, not
detriments.
what can i say?
with a friend
like RawBEANsawn, there's no choice but lighten up.
”with a
friend like RawBEANsawn
there's no choice but lighten up”
97. THE VERY LAST COCALAND
FIX SHOULD BE ENLIGHTENING, IF NOT PAINLESS.
the bus is stuck just a
few blocks after leaving the station, at a major outlying
he shows me the
heel of his sneaker, pulling it away from the rest of his
smelly shoe. day and
night he walks the streets, sammy. if it rains, shoes come
apart and fall off, he says, even when you pay as much as $40
for them. you would
think industry moguls might have solved this problem for the
third world’s sake, if not for ours.
where did he
get 40 bucks anyway?
“jitneys,
rattletrap
colectivos, beat up
multicolored city buses”
this afternoon
in
he’ll insist on
renting a hotel room to negotiate one last time (good lord!).
no one can see
us now. we're in
the back. he leans
his leg into mine constantly, or cuddles against my shoulder,
then pulls together and straightens up. Cocaland kids are more
physically affectionate with pals than
it's the heat,
i think. they all do
it.
who knows? it could be a message he’s
sending. i’ll have to
ask Robbie about it.
we're on the
highway and it's easier to write. fewer ruts and
potholes. no more
jerky, bouncy stops and starts. Chalo's on my
shoulder. he looks
in my shirt pocket and laughs. it's
the Master Card hotel receipt i insisted he return me, so he
couldn't use my card number, once i'm back in the
states. i doubt he
knows why i was adamant he give it back when he grabbed it and
held onto it playfully. he
stuffs the bus ticket in the same pocket in my shirt,
muttering something in Spanish.
now his eyes
are closed, innocent as the baby Jesus, head on my shoulder,
foot in the seat in front, knee blocking view of cattle in
lush grass. the
knee goes down. both
feet go to the bus floor. i
want to kiss him affectionately on the forehead, this new son
of mine, but can't tell what he'll accept and not.
though he's
complained about nothing i've done so far......
Robinson's
voice yells, "Come on, mj! Mj!!!"
and something else i miss. i
wake up to an eyeful of green camouflage and automatic rifle.
befuddled, i
leave Colombian cloth bag and exit, walking in front of the
soldier, carrying pen and tablet on a bizarre impulse. if they throw me in prison
for adopting a street urchin, fine. i'll write about it.
outside the bus
there's confusion. i
put the yellow tablet with uncensored diary on the dirt, so i
can stretch my hands up the side of the bus. two soldiers frisk me. why don't they grab the
tablet and read about guerrillas and boys? they could jail me on
suspicion of something. anything. keep me hooked on Cocaland
in a new and different way.
but no. most Colombians don't know
English. for once
it’s to my advantage.
what are they
saying?
how can i not
understand, after years of speaking Spanish?
they've checked
for weapons and now they want I.D.
Robinson yells
in English, "
i know better.
ignoring Robbie's panic
i hand them my passport.
several short
golden-rosy-brown sixteenish-looking soldiers in green
fatigues walk around ‘reading’ it with frowns and
mutterings. they
look at me puzzled, hand it back.
a routine
traffic check by Colombian armed forces, says Robbie, as i
climb aboard and walk by him smiling nervously, tablet in
hand.
maybe so. but routine in Cocaland can
be unnerving.
we're on the
bus again now, watching a U.-S.-American movie with Spanish
subtitles. Chalo
opens up the air conditioning vents because as soon as the bus
stops and idles, it turns hot as an oven. when we start again, it gets
as cold as a walk-in freezer. they call it a 'luxury'
two-hour ride, for five dollars, on bumpy, potholey roads from
big, industrial 19th-century Barranquilla back to
Cartagena, a city smaller, friendlier and more historic,
founded in 1533, almost a hundred years before Plymouth Rock.
you get conditioned air,
a bathroom, a movie, and seats which lean way-way back.
big draped
windows frame walled cattle ranch after walled cattle ranch. walls with balconies
behind. haciendas
with fuchsia bougainvillea climbing everywhere. and inside the walls, campesinos in white
muslin, walking with shovels on shoulders, straw hat and all.
Hernando should
be here to explain why
on TV at the
front of the bus, three ordinary light-skinned
what excuse is
there for crime like that, sammy, surrounded by
crime in
Cocaland makes more sense to me.
i wonder if
Chalo has ever committed a crime.
the bus movie
talks about status offenders.[2]
Chalo is a
status survivor.
is he a status
offender too?
"Why don't you
get another job besides cigarillos?" i ask. "Can't you go back to
waiting tables?"
there aren't
jobs.
"How did you
find the job of waiter that one time, then?" i ask.
a lady he knew
gave it to him...
and anyway, if
they broke up
the main road
between coastal cities makes you sick to your stomach, sammy. (the bus takes coastal
curves too fast!)
the gringo TV
delinquents are in jail, finally, where they belong.
Chalo and i sit
up straight, leaning hard into each other's arms. he finds a weird position
with one elbow on my shoulder, and a warm forearm against my
head. i push my face
into his forearm and he pushes back. every change in position
includes some kind of warming contact, initiated by him,
reciprocated by me. we're
father and son. brothers. soul buddies, maybe.
who knows what we are.
whatever it is,
it feels better than worrying about just me all the time.
Colombian-American singer Shakira
in her hometown of Barranquilla
during Carnival 1998
98. LIFE ISN'T OVER, JUST
BECAUSE YOU THINK IT IS.
later. 6 pm. from downtown i have gotten
to Efrén and Brenda's apartment by taxi.
and nobody's
here to let me in.
Robinson said
we'd have dinner at 6 or 6:30, but today has been sheer
disorganization and bad planning; nervousness; depression run
rampant; world-weariness; resignation; a terrible turn of
events, sammy, that i'll do my best to explain when i find the
words; and longing, almost, to get home to the states, as
unbelievable as that sounds.
i'm in over my
head. it's time to let
Cocaland wash out of my system, and i'm glad.
if i were fool
enough to leave home again, i'd leave with a hard-backed
journal. no more yellow
tablets! this eight
and a half by eleven tablet has gone with me in a woven Latin
American man’s shoulder bag wherever i went, two whole weeks,
and is now turned at the corners. water spilled in the bag
today. the BIC ball
point moves down an aqua line, scraping away damp yellow paper
as it writes.
i sit on
Brenda's outside patio, shaken, literally, by a heavy musical
beat from somewhere, nowhere and everywhere. it carries through concrete
walls and floors from several stereos in nearby apartments,
each tuned to a different
i look in
vibrating flower pots for hidden keys. nothing.
somebody will
come eventually, i guess.
everybody knows
we have to pack tonight, and get to the airport by 10:45 in
the morning.
“I left
Chalo where I jumped in the cab”
i've had it
with this place, sammy.
i'm ready to
forget it.
i left Chalo
where i jumped in the cab, across from
we worked up a
sweat several times in the heat, buying him tennies, finding a
book that could teach him English, then ‘negotiating’ again,
as he called it, in a cheap hotel room.
negotiating
came down to this today, believe it or not.
if i helped him
get to the states, said Chalo in a manly businesslike way,
once we were in the hotel room: he would sell me his body at a
reduced rate after he got there. if i'd take him with me on
the plane tomorrow, he said, smiling playfully, still manly
and completely undressed: "You can do what you want with me
right now, no charge."
i could hardly
breathe after that, sammy. i
think i was mad, but i tried to be funny. i didn't want his body, i
said, "Juicy as it is." he
was naked and lying on the bed now. i kept getting more upset,
and kept trying harder to hide it. "I just want to help you," i
said, breathing in short breaths. i couldn't debate it with
him at length. i
was too upset to talk.
i asked him as
nicely as possible to get up and put his clothes on.
i was, and
remain, almost too upset to think, sammy. what bothered me most was my
own reaction.
this was just
an hour ago, and i'm still vibrating. he didn't threaten. he didn't take anything from
my wallet or money belts. the
whole time he stayed friendly, as always. i was the one who got a
little unfriendly.
no one has so
blatantly invited me to sex in two and a half years. and the adrenalin rush it
gave me, reminded me of scenes from my questionable past i'd
somehow managed to forget.
i'm working
myself up to the details, slowly, so you can get the full
unbelievable picture.
and you know,
the stupidest part, i thought nobody would ever want me again.
so here's something to
remember: life isn't over just because you think it is. more than likely there's
somebody in this world that wants you, even if for reasons
only they understand. and
having somebody, anybody, want you, for any reason, sammy, as
long as it's not destructive, should be better than having nobody at all
want you. yet that's
not the way it feels at the moment.
you have to
know how to react to something like that when it
happens. i don't
any more. i'm out
of touch.
Chalo didn't
mean to be destructive, i'm sure. he wasn't trying to unnerve
me.
it wasn't his
fault. it was
mine. i hadn't told him
the full story. would
he have made that offer if he’d known what kind of bug i
carried? maybe,
come to think of it. he
was desperate for someone to love and help him. he probably would have had
me as i was, HIV and all.
i can't send
for Chalo from the states after this, sammy. i can't handle Cocaland
here, there or anywhere. there's
too much sexual energy in this country. it's dangerous for me and
them.
yet, i told him
i'd help.
what was i
supposed to say? ‘No’?
we've been
through too much together to say no. i couldn't ignore his
begging me for help. but
how will i help him now? i
can't deal with it any more. maybe i'll wire him twenty
dollars from month to month. what
else will he need? twenty
dollars goes a long way in Cocaland, when it's nothing but you
and fleas.
“twenty dollars goes a long way in Cocaland
when it's
nothing but you and fleas”
decrepit 18th-century balconied townhouse in old-town Cartagena; sign reads:
‘Gomez-Rombo
is
selling this magnificent property’, phone numbers etc.
[1]
Barranquilleños =
people from
[2] Usually the expression ‘status offender’ means someone who breaks the law more or less constantly. The Merriam-Webster’s Unabridged Dictionary defines the term as meaning: “a young offender (as a runaway or a truant) who is under the jurisdiction of a court for repeated offenses that are not crimes.”