Tale 28
I Put Him in His Place
according to this cartoon
animal instinct told creatures with horse sense
or dog sense
or any sense at all
that the only way to deal with a personality
as overwhelming as Fred Waring’s
was by a firm gentleman’s agreement
[but still there was no guarantee]
“To Fred, with my Best Regards ----- Dick Cavalli”
American cartoonist
(a
personal gift)[1]
Mj was lost in
limbo, and he was sick to his bull-puppy stomach of
EVERYTHING.
Tympanies
pounded like native drums. Piano arpeggios scampered like
monkeys.
"It must be
hard to love Fred," young Dr. Lorenzo sighed. "It must be hard
for him to love anybody."
He was handing
over his defendant, Fred, to the prosecution for
dismemberment.
Super-shrink mj
lorenzo was lying down now, and rolling over, tummy up, like a
puppy, forgetting that no one else was going to defend his
super-outdated celebrity fool idol, Fred.
The glee club
began mysterioso, pianissimo:
Like the beat! beat! beat! of the tom-tom!
When the junnn-gle sha-dows fall...[2]
Bill considered
the thought. "I don't think he can really love anybody,
in the true sense of love.
I think that if somebody puts him in his place all the
while, he might be attracted to them.
"And Fred, I
think, he's also attracted to people that tell him off. Like in
the beginning
I think he was attracted to me, not
physically I don't mean, possibly because of the first time in
that studio when he came in and started that bull shit with
me. And I put him in his place. But I
didn't do it in a nasty way.
"He walked into
the studio, and I had been up all night
reworking, to write these arrangements and stuff. It was a mess. And he
walked in, and I hadn't even been in bed."
...Like the tick! tick! tock! of the state-,
ly, clock!
As it stannnds against the wall,...
"And this guy
had been sleeping in this super-luxurious penthouse of his
there with gold fixtures. In
"And he walked
in." Bill looked tentative. "He says, 'Good morning, Bill'.
"I said," Bill
hesitated: "'G'd morning, Mr. Waring, how're you'?"
...Like the drip! drip! drip! of the
rain-drops!
When the sum-mer show'r is throoough...
"And he said,
'You don't look
too good'."
...So a voooice, with-iiin, me keeeeps,
re-peeeat-ing,
"Yooou!
Yooou!
Yooou!"
The glee club
slowed, with feeling. Piano glissando-ed right and
left.
"And I said,
'W'l I was up all night.' I says, 'But we'll get the job
done'."
The band crescendo-ed:
!!!Night and Day!!
Violins
tormented the piano. The piano teased back.
"And he says,
'What're we gonna do’? And we were
talkin' a little bit 'n he was standin' close to me 'n he
says, 'Where did ya get the shirt’?
"I says," Bill
acted tired, indifferent, "'It was on sale down the street. I
picked it up 'cause I wanted to have a clean shirt on. It
cost three ninety-eight'."
...You are the one!!...
"He says, 'It looks it'."
The strings and
piano dripped pain.
"Now, there's
the engineer,
who I have to have his
respect; there's the assistant
engineer, who I have to have his respect. And he says,
'It looks
it'."
Bill sat up and
puffed his chest. "I said, 'Well, when I
start working for a bigger
star that pays me better,
then I can afford a better shirt'."
After the apprentices
change their views about themselves and the world they take
the second step and become warriors, which is to say, beings
capable of the utmost discipline and control over themselves.[3]
"There was the
ground rules, right there.
I wasn't being disrespectful. I said it with a big smile on my
face. Y'know, it was a joke, and I was tellin' him I took his
remark as a joke."
...Only yooou, be-neath the moooon, And un-der
the suuuhn!...
Bill laughed.
"The next day he had me –; no, it wasn't the next day. It was
three or four days. We had to go back in the studio for the
second session; and he had been out to
"He says,"
(rudely), "'I can't have my
producer looking awful. Here, put some
decent shirts
on'."
The glee club
slowed to an exquisite rubato, four-part, delicatissimo,
...Whether near to me, ooohr faaahr,
It's no matter, da-ahr-linnng, wheehre... you
are,...
"Now, he did
this, y'know, like in a nasty way when he threw
the shirts."
...I thinnnk of yooooooou, Night and Daaaaaay!
Tender chorus
led to clarinet jazz riff....
Mj said, "As
‘producer’—; what would that mean? Was that producer of the
road show?"
"No: the
records."[4]
The interviewer
paced inwardly, trying to digest this. He was back on bull
fours, chewing and churning, posing questions, wishing he
could knock Bill off balance and wear him down until he
cracked and gave him the psychoanalytic scoop he wanted.
But what
exactly did he want? He wasn’t sure. "Of the records: only.
Did he put out one record a year; or how many?"
"Oh he was down
around –; with Decca he could've put out two or three."
"But that's not
what you ended up doing, producing records. You did a lot more
than that!"[5]
Bill nodded and
changed the subject, not easily distracted except when he
chose to be. "I think what I got along with Fred for is one, this mysteriousness.
He couldn't figure out where the hell I was at, and I think
with Fred Waring that's a very big thing."
Fred's girls
joined the men in a unison that was upbeat and syncopated,
even jazzy.
Day-and-Night! Why-is-it-so?!
That this loooohng-ing for you fol-lows,
Wher-ev-er I goooooh?!
Mystified by
Bill’s tack for some reason, mj tried to keep up with him.
"Were you doing that consciously? Was it part of your business
style?"
"Oh no, no. I kept him at arm's length; yes.
I realized right away that when you deal with a man like Fred
Waring, 'familiarity
breeds contempt' is the truest thing in the world, unless I
have a bigger house
than he, and he wants to be near me. But the closest you can
ever get with a man like a Fred Waring is to have lunch
with him once in awhile, in a setting, you pick up
the tab, he
picks up the tab. As a matter of fact, I picked
up the tab with him."
Now the men
were in four parts.
In the roar-ing traf-fic's booooommmmmm...
They softened,
slowed and left the band behind.
...In the si-lence,...
They skipped a
beat.
o-of my-y lone-ly rooomm...
"And I think
the fact that he saw me come out at my expense to see the show, t'fly out
to see the show –."
...I think of yoooooou...
Strings were
tender and sad.
Night and Day...
A piano ran a
Gershwinesque riff...
Peacemakers
were supposed to get people together again. Mj tried to see
both sides, Bill's and Fred's, but could see nothing now but
thick fog around him everywhere in all directions.
The glee club
belted it appassionato.
An upbeat Gershwin-like piano swirled throughout.
Night and Day!
Under the haaaide of me,
There's an Oh, such a hun-gry year-ning,
burn-ing in-side of meeeeeee!
They slowed and
hit it forte, a cappella:
And its tor-ment won't be throoooough!!...
Fred shaded
this schmaltzy classsical jazz:
'Til you let me spend my...
Now it was soft
and passionate:
… life... mak-ing love.. to.. you,...
And finally
pianissimo and con amore:
Day and Night,... Night and Daaaaay!
Mj said, "Fred
must've been impressed."
"Well," said
Bill, "not all these things were done to impress him. I
was doing it because I really wanted t'understand
this man. When I do an artist or when I work with an
artist, I go all out to totally understand
'im."
A piano cadenza-ed
with passion, and the glee club climaxed belting:
DAY
AND nig.h..t,...
"That's how
these stories
started," said Bill. "See?"
Mj ‘saw’
nothing. Nothing fit at the moment into one of the forty nine
or so psychoanalytic cubby holes they had said things should
fit in, not that this freshman shrink could see,
anyway, and that made him feel lost, utterly lost.
...Niiiiiiiiiiiiiiiiiiiiiiiiight, and,
d.a.a.aaaaaaAAA-...
The arrangement
went four-part now, and pianissississimo,
with a crescenDO, then DEcrescendo, ...-
AAAAAAAAAAAaaaaaaay!!!
[1] Like this cartoon, many in the Waring collection suggest that some of the artistically and psychologically perceptive cartoonists could not help but see a few of the darker corners of the Waring personality and world.
[2] "Night and Day," by Cole Porter; Decca: “The Best of Fred Waring and The Pennsylvanians.” See “Bibliography.”
[3] Castaneda, The Fire from Within, p. 23.
[4] When he first had
to deal with Fred Waring, Bill was a Decca man, producing
Fred’s records in the city. It was only later that Fred
invited him to come up to the Poconos, and later still that
he hired Bill directly to work for the Pennsylvanians. This
history has been/will be mentioned in other footnotes, but
bears repeating if only to emphasize the point that the
history of the Bill-Fred relationship was coming up during
the interview in non-sequential chunks, and young Dr. mj,
for whatever reasons, was having a hard time digesting and
absorbing it – so to speak – in order to put the chronology
together in his head and commit it to understanding, as he
very much needed to do, just as any doctor or biographer
would, in order to interpret cause and result, among other
things. Just as the Democrats kept complaining about the
drip drip of minutiae tidbits about Trump and Russia, and
then started applauding themselves around December of 2018
and January of 2019, when they began to feel that they might
be close to detecting a very important, interpretable and
comprehensible pattern in all of the jigsaw puzzle of
events. (Though only Time
would tell how right or wrong they were.)
[5] At this point Bill
and Fred were just starting to get to know each other. Bill
still worked for Decca in