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Tale 28

 

I Put Him in His Place

 

 

three black and white cartoon frames tell
                how the dog Chips made a deal with Fred Waring not to
                ever sing 

according to this cartoon

animal instinct told creatures with horse sense

or dog sense

or any sense at all

that the only way to deal with a personality

as overwhelming as Fred Waring’s

was by a firm gentleman’s agreement

[but still there was no guarantee]

 

“To Fred, with my Best Regards ----- Dick Cavalli”

American cartoonist

(a personal gift)[1]

 

Mj was lost in limbo, and he was sick to his bull-puppy stomach of EVERYTHING. 

 

Tympanies pounded like native drums. Piano arpeggios scampered like monkeys.

 

"It must be hard to love Fred," young Dr. Lorenzo sighed. "It must be hard for him to love anybody."

 

He was handing over his defendant, Fred, to the prosecution for dismemberment.

 

Super-shrink mj lorenzo was lying down now, and rolling over, tummy up, like a puppy, forgetting that no one else was going to defend his super-outdated celebrity fool idol, Fred.

 

The glee club began mysterioso, pianissimo:

 

Like the beat! beat! beat! of the tom-tom!

When the junnn-gle sha-dows fall...[2]

 

Bill considered the thought. "I don't think he can really love anybody, in the true sense of love. I think that if somebody puts him in his place all the while, he might be attracted to them.

 

"And Fred, I think, he's also attracted to people that tell him off. Like in the beginning I think he was attracted to me, not physically I don't mean, possibly because of the first time in that studio when he came in and started that bull shit with me. And I put him in his place. But I didn't do it in a nasty way.

 

"He walked into the studio, and I had been up all night reworking, to write these arrangements and stuff. It was a mess. And he walked in, and I hadn't even been in bed."

 

...Like the tick! tick! tock! of the state-, ly, clock!

As it stannnds against the wall,...

 

"And this guy had been sleeping in this super-luxurious penthouse of his there with gold fixtures. In Manhattan. And he walks in with super clothes on 'n everything else. And I ran by a store 'n I bought a turtleneck shirt 'cause my shirt was filthy. I couldn't get home. I lived in Jersey. And I bought a razor, and I went in a men's room at the studio, like six thirty in the morning – and we were set for nine o'clock to start – then went in to set up, changed into this white turtleneck.

 

"And he walked in." Bill looked tentative. "He says, 'Good morning, Bill'.

 

"I said," Bill hesitated: "'G'd morning, Mr. Waring, how're you'?"

 

...Like the drip! drip! drip! of the rain-drops!

When the sum-mer show'r is throoough...

 

"And he said, 'You don't look too good'."

 

...So a voooice, with-iiin, me keeeeps, re-peeeat-ing,

"Yooou!        Yooou!      Yooou!"

 

The glee club slowed, with feeling. Piano glissando-ed right and left.

 

"And I said, 'W'l I was up all night.' I says, 'But we'll get the job done'."

 

The band crescendo-ed:

 

!!!Night and Day!!

 

Violins tormented the piano. The piano teased back.

 

"And he says, 'What're we gonna do? And we were talkin' a little bit 'n he was standin' close to me 'n he says, 'Where did ya get the shirt’?

 

"I says," Bill acted tired, indifferent, "'It was on sale down the street. I picked it up 'cause I wanted to have a clean shirt on. It cost three ninety-eight'."

 

...You are the one!!...

 

"He says, 'It looks it'."

 

The strings and piano dripped pain.

 

"Now, there's the engineer, who I have to have his respect; there's the assistant engineer, who I have to have his respect. And he says, 'It looks it'."

 

Bill sat up and puffed his chest. "I said, 'Well, when I start working for a bigger star that pays me better, then I can afford a better shirt'."

 

After the apprentices change their views about themselves and the world they take the second step and become warriors, which is to say, beings capable of the utmost discipline and control over themselves.[3]

 

"There was the ground rules, right there. I wasn't being disrespectful. I said it with a big smile on my face. Y'know, it was a joke, and I was tellin' him I took his remark as a joke."

 

...Only yooou, be-neath the moooon, And un-der the suuuhn!...

 

Bill laughed. "The next day he had me –; no, it wasn't the next day. It was three or four days. We had to go back in the studio for the second session; and he had been out to Shawnee and back and he came in and gave me a BOX of shirts," Bill laughed, "from Shawnee; golf shirts.

 

"He says," (rudely), "'I can't have my producer looking awful. Here, put some decent shirts on'."

 

The glee club slowed to an exquisite rubato, four-part, delicatissimo,

 

...Whether near to me, ooohr faaahr,

It's no matter, da-ahr-linnng, wheehre... you are,...

 

"Now, he did this, y'know, like in a nasty way when he threw the shirts."

 

...I thinnnk of yooooooou, Night and Daaaaaay!

 

Tender chorus led to clarinet jazz riff....

 

Mj said, "As ‘producer’—; what would that mean? Was that producer of the road show?"

 

"No: the records."[4]

 

The interviewer paced inwardly, trying to digest this. He was back on bull fours, chewing and churning, posing questions, wishing he could knock Bill off balance and wear him down until he cracked and gave him the psychoanalytic scoop he wanted.

 

But what exactly did he want? He wasn’t sure. "Of the records: only. Did he put out one record a year; or how many?"

 

"Oh he was down around –; with Decca he could've put out two or three."

 

"But that's not what you ended up doing, producing records. You did a lot more than that!"[5]

 

Bill nodded and changed the subject, not easily distracted except when he chose to be. "I think what I got along with Fred for is one, this mysteriousness. He couldn't figure out where the hell I was at, and I think with Fred Waring that's a very big thing."

 

Fred's girls joined the men in a unison that was upbeat and syncopated, even jazzy.

 

Day-and-Night! Why-is-it-so?!

That this loooohng-ing for you fol-lows, Wher-ev-er I goooooh?!

 

Mystified by Bill’s tack for some reason, mj tried to keep up with him. "Were you doing that consciously? Was it part of your business style?"

 

"Oh no, no. I kept him at arm's length; yes. I realized right away that when you deal with a man like Fred Waring, 'familiarity breeds contempt' is the truest thing in the world, unless I have a bigger house than he, and he wants to be near me. But the closest you can ever get with a man like a Fred Waring is to have lunch with him once in awhile, in a setting, you pick up the tab, he picks up the tab. As a matter of fact, I picked up the tab with him."

 

Now the men were in four parts.

 

In the roar-ing traf-fic's booooommmmmm...

 

They softened, slowed and left the band behind.

 

...In the si-lence,...

 

They skipped a beat.

 

o-of my-y lone-ly rooomm...

 

"And I think the fact that he saw me come out at my expense to see the show, t'fly out to see the show."

 

...I think of yoooooou...

 

Strings were tender and sad.

 

Night and Day...

 

A piano ran a Gershwinesque riff...

 

Peacemakers were supposed to get people together again. Mj tried to see both sides, Bill's and Fred's, but could see nothing now but thick fog around him everywhere in all directions.

 

The glee club belted it appassionato. An upbeat Gershwin-like piano swirled throughout.

 

Night and Day!

Under the haaaide of me,

There's an Oh, such a hun-gry year-ning,

burn-ing in-side of meeeeeee!

 

They slowed and hit it forte, a cappella:

 

And its tor-ment won't be throoooough!!...

 

Fred shaded this schmaltzy classsical jazz:

 

'Til you let me spend my...

 

Now it was soft and passionate:

 

   life...   mak-ing  love..   to..   you,...

 

And finally pianissimo and con amore:

 

Day and Night,... Night   and   Daaaaay!

 

Mj said, "Fred must've been impressed."

 

"Well," said Bill, "not all these things were done to impress him. I was doing it because I really wanted t'understand this man. When I do an artist or when I work with an artist, I go all out to totally understand 'im."

 

A piano cadenza-ed with passion, and the glee club climaxed belting:

 

DAY   AND   nig.h..t,...

 

"That's how these stories started," said Bill. "See?"

 

Mj ‘saw’ nothing. Nothing fit at the moment into one of the forty nine or so psychoanalytic cubby holes they had said things should fit in, not that this freshman shrink could see, anyway, and that made him feel lost, utterly lost.

 

...Niiiiiiiiiiiiiiiiiiiiiiiiight, and, d.a.a.aaaaaaAAA-...

 

The arrangement went four-part now, and pianissississimo, with a crescenDO, then DEcrescendo, ...-

 

AAAAAAAAAAAaaaaaaay!!!



[1]  Like this cartoon, many in the Waring collection suggest that some of the artistically and psychologically perceptive cartoonists could not help but see a few of the darker corners of the Waring personality and world.

 

[2]  "Night and Day," by Cole Porter; Decca: “The Best of Fred Waring and The Pennsylvanians.” See “Bibliography.”

 

[3]  Castaneda, The Fire from Within, p. 23.

 

[4]  When he first had to deal with Fred Waring, Bill was a Decca man, producing Fred’s records in the city. It was only later that Fred invited him to come up to the Poconos, and later still that he hired Bill directly to work for the Pennsylvanians. This history has been/will be mentioned in other footnotes, but bears repeating if only to emphasize the point that the history of the Bill-Fred relationship was coming up during the interview in non-sequential chunks, and young Dr. mj, for whatever reasons, was having a hard time digesting and absorbing it – so to speak – in order to put the chronology together in his head and commit it to understanding, as he very much needed to do, just as any doctor or biographer would, in order to interpret cause and result, among other things. Just as the Democrats kept complaining about the drip drip of minutiae tidbits about Trump and Russia, and then started applauding themselves around December of 2018 and January of 2019, when they began to feel that they might be close to detecting a very important, interpretable and comprehensible pattern in all of the jigsaw puzzle of events. (Though only Time would tell how right or wrong they were.)

 

[5]  At this point Bill and Fred were just starting to get to know each other. Bill still worked for Decca in Manhattan. They had assigned Fred Waring to him, and Bill was supposed to produce his records, because no one else at Decca could stand Fred any more, partly because of his impossible and demanding disposition and also because he had fired each one who had tried (as Bill had explained earlier in the evening). Later, once Fred got to know Bill a little bit better, he started offering him jobs at the Waring Organization offices in Delaware Water Gap, in the Pocono Mountains of Pennsylvania; which today (2018) are only about a ninety minutes’ drive from Upper Manhattan via the George Washington Bridge.

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