Introduction concl:
Tale
3
A Great Golden Fairy Tale
“...a rainbow stretched from Delaware Water Gap
to
spanning the firmament
a moment you couldn’t forget
especially given what followed.”
Thirty years or so after the
Two years after I
met Bill, in late May or early June of seventy-four, I was
working in the lower garden at
We pushed my trusty
Sears aluminum rowboat into the lake and jumped in, like
always, with rods and Bill’s triple-decker tackle box loaded
with all those super special bass lures from all over the
country, mostly Tennessee, each of which had an elaborate
history that included, most importantly, what fish it had
caught. Hercules rowed, as usual, and fed me a dose of fairy
tales about Fred Waring – as usual – then stopped the boat
over one of the deepest holes in the lake, and I caught an ice
skate.
I was not taking it
well. I should have applauded the news that he was leaving a
difficult work situation and moving on. I should have promised
a loan until he found work. Instead I thought about my own
loss.
Bill rowed to the
other side of the little lake, floating the boat. We fished. A
family of spotted deer, big and little, fed gracefully a few
feet away. The sun, approaching solstice, was very slowly
setting, late in the evening. A cloud darkened everything and
sprinkled the two of us, and a rainbow stretched from Delaware
Water Gap to
I was sad, I realized, and I
talked about myself for once, instead of asking questions to
get him telling stories, my usual mode with him.
“When you tell funny stories
about Fred Waring I forget what’s bothering me," I said.
He made a blustering joke of
this. "You never told me that, mj!"
He would often see me as funny,
almost always when I was serious.
"When we met," I said, "you would
tell Waring fairy tales and I would forget the
“I didn’t know you were fed up,
mj,” he said, a little less blusteringly.
He forgot things too. He forgot
that while he was promoting Fred Waring all those years, I'd
been promoting late-sixties peace, love and brotherhood. He
forgot, or maybe I’d forgotten to tell him, that after I’d
married and moved to the Poconos in June ’72 I’d felt a little
lost sometimes in the new world Dlune and I had created for
ourselves. Then he had happened upon the scene a month later,
and his friendship and stories in the rowboat fishing, and in
front of his fireplace and mine, had given me something to
hold on to. ‘These have been two great years for me’, I think
I wanted to
say, ‘and it seems to have had a lot to do with you and the
Fred Waring fairy tale you brought into my life’.
Instead I said, "When you tell
your Waring stories I feel like a little six year old boy. I’m
morally pure. It’s 1949. I’m with my parents, following them
around, learning to think like they do. We’re good sincere
people, a nice family. Fred Waring is on TV every Sunday
night. His hour-long music-show extravaganza reminds us we’re
God’s children and we’re great and important. We bring peace
and light to the world. I do my little part to help out,
singing hymns in church, not dropping the sugar bowl, learning
to read the backs of cereal boxes and generally behaving like
a boy saint so as not to embarrass my preacher father. We
don’t screw up. We go to war in other people’s countries,
firebombing their beautiful ancient cities, like
Bill was silent for once. He
didn’t run across thoughtful self-revelation very often,
probably. Few people did. A lot of people through the years
had not enjoyed me much, whenever I’d gotten dead serious in
this way.
I was thinking about my loss,
caused by Bill’s leaving Fred, when I said, more brightly, "You should write a book
about your life with FredII!"
It might keep the fairy tale
going a little longer for us somehow, the four of us: that’s
what I was feeling, I think.
"Why don't you DO that, mj?!"
was the immediate response. A joke, I thought. He was still
blustering in his usual joking way.
Whereas I didn’t talk much,
generally speaking. And when I did, I usually said things
carefully considered.
"I wrote a
book," I smiled nervously, "before we moved here; about
meeting Dlune and her Northwest Indian people in
"Mj," he sat up
leaning on the oars, breathed in deeply, and delivered an
elaborately unusual and dramatic kind of speech, just for me,
his friend mj.
It was another one of his
formalized ritual customs, you might say.[1]
If he liked you enough, if he was enjoying the friendship
enough, he would periodically rant a tease at you with loud
half-mocking bombast, commemorating the friendship with a huge
degree of joviality, admitting he liked you a fair amount but
declaiming before man, God and the deer on the banks the
litany of things that most boggled his intelligent and wise
mind about you and your inscrutable universe. Loudly, very
loudly, always smiling warmly and almost shouting: ‘It sure is
strange I like you so much, mj lorenzo, when you do
such strange things as this, this and this’, is what it added
up to, except for being more flowery and less direct and much
more celebratory, proclaiming your faults and strengths, both,
in a loud, explosive, party-like laughing rant. He liked you a
lot, it all said, in effect, only without using any words of
the type men avoided – like the plague – saying to a buddy
they cared about.
Even as early as the very first day we had
met,
come to think of it, right after telling me the Becky story,
in fact, he had already begun to formulate the first of his
great mj lorenzo litanies. He carried on jokingly for quite a
while that day about the funny way I planted roses. I had
absolutely no idea what he was talking about and was so
overwhelmed by his noisy personality, his incredible knock-out
energy and unusually good spirits and warmth and shocking
interpersonal style in general, I could only smile and take
it. But I found out that once Bill Blackburn had pegged you
with a uniquely identifying characteristic that amused him for
some inexplicable reason, the characteristic accompanied you
wherever you went, just as Athena’s owl always accompanied
Athena. You’d be at a fundraising concert he and Betty Ann had
organized with huge personal bother to help you promote your
drug and alcohol treatment program, and he would bring it up
in front of every dignitary in the county about the funny way
Dr. Lorenzo, the new county drug and alcohol chief, planted
rose bushes. You would be in a dead serious board meeting for
the Alcohol Council to discuss the possible momentous founding
of a halfway house for alcoholics and up it would come with
great uproar and clamor. And in front of your wife while the
two couples played Monopoly or Liars’ Dice, he would bring
that thing up with all his warmth and hilarity and tease and I
would just sit there numb and bewildered, clear about nothing
except that this all seemed to say he liked me because I
amused him. Year after year it would pop up in the most
impossible and embarrassing settings, this supposed
characteristic you couldn’t grasp, since he never gave the
specifics of why your rose technique was funny, and all you
could do was sit and accept the roast, though never ever
understanding what in the world was funny about your rose bush
planting techniques anyway, never comprehending his exact
purpose, except to understand that he was once again
celebrating the friendship in public for all to hear, honoring
it, admitting he had never forgotten the friendship because he
would also inform everyone of all the times and places he had
told the story of your funny roses to other people even after
you had gone off to live in Colorado. He had probably told the
tale to a thousand audiences. You were memorialized in his
pantheon of heroes and anti-heroes deserving of hilarious
tales that taught worthy but incomprehensible lessons. He
could never
let you forget your importance to him in this way, ever, for
as long as you remained friends.
I finally got the feeling, after
years and years of this inexplicable falderal, that he might
have been trying to tell me something else about myself
besides the fact that I planted rosebushes funny. But what
might it have been? The message, if there was one, was so
indirect and camouflaged with bombast and hilarity to soften
you up, you never got the real and actual message. But finally
trying to sum up the friendship one day after many years, I
thought the overall gist that Bill might have been wanting to
send me, maybe, from time to time down through the years,
could have gone something like this: mj, you might be some big
falutin’ doc shrink, but you sure don’t know very much about
some pretty basic things, including your own crazy
over-self-analyzed shrink self; but you’re okay anyway, you’re
good enough for me: something like that. Whatever the true and
critical teaching lesson might have been, he would never have
rubbed my nose in it. He liked and respected me too much for
that. And one of the reasons he liked me and respected me was
this funny
reason: I was not
like Fred Waring in certain important ways. Maybe Fred and I
both had our heads up our asses at a similar Anglo angle at
times, but Bill could never have teased and ranted Fred about
that hilarious angle as he could and did me, and it was one of
the things he liked about me so much. Maybe I would never be
able to see as clearly as he could just exactly how fucked up
I was, but at least I accepted that I was fucked up and I
looked sheepish whenever he teased me about it. Fred would
have balked and bucked and kicked and bitten like a mean billy
goat, or thrown a box of
Maybe Bill picked men to spend
his earthly days around, like Fred – or me, even – who
bewildered and fascinated him enough or challenged him in some
way enough that they made good captivating source material for
the art of storytelling he practiced whenever he wasn’t
occupied with something else.
It’s too late now, sadly, but I
wonder if I shouldn’t have tried at least once asking Bill to
teach me all he knew about planting roses. Maybe he was trying
to tell me he knew something about roses I didn’t know, even
though I never saw him planting anything at all, not even
once. Maybe he was hinting that I judged him too quickly, that
there was a lot I didn’t know about him, that I underestimated
him and what he could offer me as a friend, that I
underestimated his knowledge of things in general and too
often thought he needed my help, when in fact I needed his.
Why did I hide out in silence so often, for instance, only
wanting to hear stories about his boss while rarely talking
about myself? Maybe with all that razzing he was trying to
shake me loose and get me relaxed and talking like most
friends talked. What was mj lorenzo hiding? Why hide behind a
professional mask or shrink act or fairy tale when Bill
Blackburn was around?
Or quite the contrary, maybe he
was trying to tell me he knew nothing I didn’t know, or
couldn’t know as well as he, easily, that I built him up too
much in my imagination, lionized him inappropriately when I
might have been already in possession of as much valuable
knowledge as he without knowing it, and should have been
walking around with as much ridiculous bombast as he, telling
my own stories, instead of acting shy and giving all my power
away to him. Why then didn’t he just come out with whatever he
really felt? What was he
hiding?
It wasn’t too long after we met
that he developed a second razz I remember much better. The
point of this one, once again, was never as clear to me as it
was to him, I assume, but I guess it had something to do with
my gullibility. Since we each had married recently and now had
almost identical homes, side by side, it seemed only natural
we would compare notes on various aspects of our manly lives
from time to time and this we did during intimate confessional
or bragging moments, but all this wasn’t enough for Bill
Blackburn
for some weird reason. He had to propel, once again, a
comprehensible but quiet aspect of our friendship, this
parallel between us, to a bewildering level of public hoopla
and uproar. He began this strange creative process by
mentioning to me one day how differently we made fires in our
fireplaces. Each of us had just settled down with a woman and
wanted to feel like a real man, and so would make a fire in
the fireplace to feel cozy and warm and romantic, or to help
guests feel good. I had never lived in a house with a working
fireplace before, however; and I had dropped out of Boy Scouts
after a week when I was twelve. But I had developed my
technique from scratch intuitively, and gotten some good fires
going in our new house at
When the two of us were at my
house Bill would witness my tireless efforts to keep a fire
going. During a conversation with him, meaning while he told
stories, I would have to get up again and again to throw logs
on or push wood and embers around to create ventilation and
log surface for a nice continuous burning fire. He would
interrupt his story briefly each time, and compliment me on my
hard work keeping a fire going, and in this way he had managed
one night to draw out of me the story about the creosote error
that had caused such a roaring fire with so much wicked smoke
in the house that I’d had to use a chemical fire extinguisher
to save the house, making a huge mess that hadn’t impressed
Dlune very much with my manliness, especially since she was
half Native American from freezing wilderness Alberta and knew
fires well.
A week later he invited me next
door to his house to talk and sip martinis. After we had
talked a while, meaning of course, after I had listened to a
few stories, he asked me how I liked the fire in his fireplace.
It was decent, I said, about as full as one of my own. A half
hour later he asked again. I said it was a good-bodied fire.
It gave off heat and light and a feeling of warmth that made a
guest feel welcome.
“How do you keep it going?” I
asked, for he’d gotten up only once or twice to give the thing
the barest attention, all this time.
“It’s an old Indian trick,” he
said. He knew I respected his tribal background, though we
hadn’t explored it much. That happened much later.
“Really?” I said, impressed.
“What’s the trick?”
He wouldn’t say.
It was a ‘traditional’ secret.
The night progressed and I was
increasingly amazed at the trick and let him know. He had
gotten up to look at the fire only once or twice, and that was
all he’d done, just – kind of dramatically – looked at
it from several angles and then sat down again.
By now it was so late we knew
bedtime was nearing, since we both had to work the next day,
and still the fire was burning smoothly and brightly; yet he
would not tell me the ‘old Indian trick’. But after one last
dose of hemming and hawing he finally broke down and told me
that he had bought a log at a supermarket, specially filled
with fuel so it would burn for hours with no attention
required. I had never heard of such a thing, of course, since
I had been in medical training for years and years, cut off
from normal human life, living in rented rooms and Victorian
flats in the big log-less inner city of
He had psyched me out so well, in
fact, that his trick for tricking me had worked absolutely
perfectly, and I had waltzed innocently, virtually singing,
straight into the trap. Ha ha ha.
Did I ever hear about that one!
It came up more than the stupid rose bushes. It was his
favorite story about me: how the big important doc shrink
director of the State of Pennsylvania’s ‘Monroe County Drug
and Alcohol Program’ had actually believed his neighbor Bill
Blackburn’s story that he kept his fireplace going
effortlessly by an ‘old Indian trick’ when it was just a fake
old U.S. American factory-made gas log. He told the story any
time I was around, especially if there was a third person who
hadn’t heard it. Sometimes he told it even when everyone
present had heard it several times before, and always with the
greatest hoopla and tease. I would always forget it was
coming. It would come out right at the very most dramatic and
climactic moment of a party, the moment of greatest general
affection and nostalgia and I would always be embarrassed to
death, humbled and overwhelmed by his razzing affection one
more time, just as I had been on the night he had told me he
had bought the darn stupid gas thing at the supermarket.
At bottom Bill was an artist, I
think, and structured his life to some extent around his art
of storytelling, always looking for a story to tell, and the
perfect occasion for telling it. Sometimes he even created
events just in order to create a story, as in this case. Not
just any funny story, but an important story. He looked for
stories that taught something important. Once you knew him
really well, you understood this better. You learned gradually
what was important to him, and why he told the stories he did,
even if it took your whole life to grasp the very, very
basic point. And he may be dead now, technically speaking, and
yet he still has me going like crazy
with his inscrutable razzes, as you can see.
And I think one of the reasons we
became such good friends was that we saw eye to eye from day
one, that Fred Waring was as good a story as anyone could
find. We just couldn’t agree at first on what the story was exactly.
"Anybody who plants roses the way you do, mj!” he
shouted uproariously over his oars as lecturn, even though I
was only two little rowboat seats away; “Anybody who reads
books about shamans and Greek gods the way you do, would do that, write
a book about Indians and leave it in a box!" He laughed up a
small storm on the lake, rocking the aluminum Sears rowboat.
His words bounced around the lake, echoing off banks. "Anybody
who married a woman like Dlune, half Indian and half crazy Swede; any
half-baked psychiatrist –, any Alcohol and Drug Chief who uses
a Tennessee bass lure like YOU do, would DO a thing
like that, mj."
Write a book about Indians and
leave it in a box in a closet!
Then there followed an enormous
explosion of Bill Blackburn uproar. He laughed and laughed the
lake full of fish away, not just from our lake but from
several other lakes, all of them ten miles away.
“...there
followed an enormous explosion of Bill Blackburn uproar.
He
laughed and laughed the lake full of fish away
not
just from our lake but from several other lakes
all
of them ten miles away.”
I smiled; sheepishly. He liked
me. He thought I was funny because I laughed at his Fred
Waring fairy tales, and because I wrote funny books about
Dlune and me and left them in funny boxes in funny closets.
You had to laugh after an
explosion of laughter of such enormity. It was inevitable.
Fred Waring might have succeeded at fighting the urge, but I
could not. And I didn’t want
to. If you were alive, you wanted to laugh when Bill laughed.
Only a dead man could resist giving in and laughing whenever
Bill Blackburn laughed. Because: even if his joke or story
didn’t get you laughing, laughter of the kind he laughed was
funny in and of
itself. His laughter, regardless of the subject,
was enormously contagious and healing. Partly because: then, a
minute later, you would be laughing at yourself after all, you
would realize, because your laughing at his hilarity would
creep up and over, somehow, and quietly absorb the joke he had
just cracked at your expense. And now you yourself had
become hilarious to yourself; really; once you had
gotten to enjoy the special privilege of looking at yourself
through the natural healthy filter of Bill Blackburn’s
worldview.
He didn’t just practice the art
of storytelling, in other words; in truth, he also practiced
the art of psychic emotional healing, a fact it took me a near
lifetime to grasp. Because, I guess, he did not fit into any
of my usual categories that meant ‘healing professional’, like
doctor, psychiatrist, psychotherapist, minister, school
counselor, Tarot card reader, Indian guru, etc.
Later he actually commuted to
Bill rowed to the little arm of
the lake most removed from the houses, and pretended to
seriously cast his line with lure. No fish came out,
naturally, the way he had been yelling and screaming and
shaking the whole territory into a storm, yet he acted
surprised each time the lure came up out of the water with
nothing on it, and he never owned he had chased the fish away.
Some of Bill’s actions made
little sense, like this one. Obviously he knew it was
pointless to continue fishing after all that yelling. He was a
fishing mastermind,
with a thousand good detailed stories about the country’s
lures and lakes to prove it. As a result there have been times
over the years when for a second I have suspected Bill had
some other agenda than fishing when we went out in the boat
together. And now, at age sixty, 29 years after the event,
with half-Native American Bill just dead and buried in some
dumb graveyard in the U.S., and me in Mexico, ‘retired’,
giving everything serious thought, I find it hard to dismiss
the possibility with certainty. I’m suspicious he sensed our
hours together were saving my life. He wanted to keep the
process going that day, even if it required he pretend to be
fishing. He covered it up, because if I ever caught on to the
fact that he was working on me, trying to plant critical seeds
of life in my half-dead soul,
I might pull away.
Meanwhile, though, I was
bristling inside, instead of appreciating his act of caring.
Why was he making me laugh at Dlune and me, when obviously he
and Betty Ann were the funny ones? Okay, so I married a
Canadian Indian who was part Swedish. But he WAS an Indian. He
was from a sacked and humiliated tribe of
Indians.
Soon after this I got interested
in his Huron background and drove to
I never, ever told Bill about
this, of course. He might have thought I was soft on him. Or
he would have laughed for days or years or made me the subject
of another three thousand public jokes. They would have heard
about it from Water Gap to Mt. Pocono, the shrink from Drug
and Alcohol who gave up a whole weekend of planting roses and
a Monday of work, just to research the missing tribe called
Huron, driving the entire eastern axis of New York State from
south to north, 350 miles, all the way to a foreign country,
Canada, then through disgusting Montreal big-city traffic to
McGill University, just because his friend’s mother was Huron
and somebody up there was an expert on the Huron. He had never
known anybody like me, was the impression I got. I was unusual
in Bill’s world apparently. Weird was the word maybe.
But was it so funny or weird that
I read about shamans, really? Was it funny that Carlos
Castaneda had asked a Yaqui Indian shaman to show him peyote?
It certainly had brought some needed reflection into the world
for a few minutes, hadn't it? Maybe I hadn’t read Castaneda’s
books yet really, but you had told me about them, Sammy, and I
had met your grandfather and he was a shaman, and you were
too, so it was natural for me to be curious and to read. Plus,
I had lived with a shaman for a whole long northern
And say what you want about
‘weird’ or ‘funny’ for marrying a one-thirty-second-part
Swede, as I’d done: what about marrying a one hundred percent
SWEDE woman like HE had done? Yet he razzed ME for
marrying a part-Swede. What about ending up with a newly
bought house painted the exact same blue and yellow colors as
the Swedish flag, because your wife was a nut cake for Swedish
anything; and she was such a knockout with her yellow hair and
blue eyes that you couldn’t say ‘No, Sweedie dear, I’m sorry,
but this ain’t Malmö or Swedish Minnetonka, Minnesota. It’s
Betty Ann's birth parents, both,
I figured, must have been blue-eyed and yellow-haired. I
imagined them as very good looking, love-happy Minnesota Swede
teen kids who couldn’t wait to experience real love. Betty Ann
never met them. Whoever they were, they gave her up for
adoption. The only thing in the whole world her adoptive
parents had ever told her about her real parents was: “They
were Swedish.” She was adopted by nice people with a
Scotch-Irish name, McCall, and grew up in
I just kept my mouth shut,
though. But really, the funny ones were the half-Huron and the
orphan. Every morning as I went to work at the Monroe County
Drug and Alcohol Program, a normal and routine job by
comparison, the half-Huron and the orphan headed off somewhere
with the mythical great white father of U.S. American music we
had all grown up on, back in a forgotten childhood when we
were all unfathomably naive and innocent. This was the funny
story, really. Dlune and I were now living in an unfulfilled
and imperfect world, maybe, but it was relatively up to date,
at least, and appropriately future-oriented. Whereas the Blackburns had been
living for years and were still living in a live,
living fairy tale that somebody had forgotten to knock off
with a telling blow, and I found that hilarious every
day of the week.
Now Bill wanted to
bring the Waring fairy tale to an end, finally, just
when I thought I still needed it for comfort and amusement. He
wanted to end all my fun laughing at him and Fred and Betty
Ann and their crazy-ass fairy tale existence, so I could
forget my own too-real one.
If Bill left Fred,
I would have to deal with stronger doses of my own reality
maybe. There would be no fairy tale around to soften the
punch. Finally I understood why I was upset. I didn’t like the
prospect.
The second time he said it, his
tone was too serious to dismiss: "Why don't you write
it, mj?”
He struck a third time
immediately, and this time he was even more serious! Bill
Blackburn actually seemed to be trying to get me to write a
freaking book about Fred Waring! "I've always wanted to write
this, mj; I'm not a writer," he added.
Who was?!!!
Friendship called for such a
book, apparently! And Bill had done huge favors for me and I
owed him a favor, possibly. So maybe we could celebrate our
famous friendship with just such a crazy book, in other words.
Damn!
I’ve always hated saying ‘no’ to
a friend, so I said nothing.
We rowed to shore, tied up the
rowboat and went home.
I weighed the pros
and cons for days, never able to decide to commit to something
as huge as writing a book about friends and famous people that
would almost certainly have to be published in the end, to
make Bill happy. It certainly could not be left in a box, and
yet I was trained as a psychiatrist, not a writer. That’s why
I had left The
Remaking in a box! Didn’t he get it? I had no idea how
to go about writing or publishing a book, as I saw myself. I
had no idea, even as late as the year 1974, that my father had
published The Remaking
informally behind my back three years before, in ’71, or that
the crazy thing had actually attained a little success
already. I didn’t hear about all of that until your friends at
Penn, Sammy, ‘the Remaking pundits’ told me in 1980, six years
later. So I just saw myself still, in ‘74, as a literary
numbskull, a half-baked shrink with a writer’s yearning to
write but no skill or chutzpa to pull it off. Why kid myself
or anybody else?
But Bill went and talked to Betty
Ann, and he called me one night after work to tell me that the
two of them had talked about all of this and had set a date
for a taped interview two weeks later on Saturday night.
DARN!
But not to worry, he said,
because we would just have a good old time and treat the whole
thing like a party, drinking martinis the way we always did.
Damn!
Darn.
Damn![3]
“Bill rowed to the other side of the little lake, floating the
boat.
We fished.
A family of spotted deer, big and little, fed gracefully a few feet away.”
[1] This unusual
custom of Bill Blackburn’s, of forever celebrating a male
friendship publicly in a formal and stylized, uproarious
way, always using the same repeated but illogical
phraseology, might have been picked up from the men in his
family, as Dr. Lorenzo felt, either on Bill’s mother’s
side, who were Huron, or his father’s side, who were Irish
Protestant. Since the Dr. had never experienced anything
like it from any of his many friends of European descent,
whether Irish, English, Scandinavian, Jewish, Italian or
whatever, he inclined to the belief that the custom was
Huron, especially when he found statements in Bruce
Trigger’s epic study of the Huron like this one: “....each
would state his opinion slowly and distinctly, speaking in
a special ceremonial style that was full of metaphors,
circumlocutions, and other rhetorical devices that were
uncommon in everyday speech. Every one listened
attentively, politeness and good humour being considered
essential....” Bruce Trigger, The Children of
Aataentsic,
Actually, in the end, Dr. Lorenzo put it this way to Sammy: “The loud public bluster might have been Irish; because the men of most Native American tribes, including the Huron, were soft-spoken and stoic, reserved and sedate, except maybe on certain very special kinds of occasions; while the formal, ritual repeated phraseology, the special stylized flowery language, since not normal for any kind of American conversation one could think of, almost certainly had to be Huron.”
But Sammy Martinez, raised as a Native American shaman by his Native American mother and grandfather in the Tewa tribal Pueblo village of San Juan, New Mexico, qualified this idea for the editorial board of the present work: “We still have not ruled out the possibility that this public razz-praising behavior of Bill Blackburn’s might have been Irish or from some other culture, perhaps from the old Dutch culture of the Hudson valley where Bill grew up, the U.S. Air Force where he served during the Korean war, or the Manhattan entertainment industry where he worked. Also: he idolized his father’s father, who worked intimately as right-hand man for Edward Henry Harriman, and might have learned the behavior from either of them or both. Opinions from Irish Protestant, old Hudson Dutch, New York robber baron, Korean Air Force, or Manhattan entertainment experts would be appreciated. In the meantime, I would support Dr. Lorenzo’s hunch because his instinctual psychic intuition has proven right so many times, except that my own hunch is that Bill picked up the behavior from his 100% Huron mother, just as I picked up certain behaviors from my own 100% San Juan Tewa mother; because my own observation is that women worldwide behave in this way as often as men, regardless of culture.”
[2] The subject of how Bill and Betty Ann decided what color to paint the house would be explored at exhaustive (and exhausting) length in the second interview two months later, along with Bill’s Native American roots in much detail, and even Fred Waring and the Pennsylvanians’ performing in unconstitutional Chicago speakeasies for mafiosi capos like Al Capone and Bugs Moran. All this came out in mj lorenzo’s third published book, Tomahawk Tales, or Grandfather's Tomahawk and Other Tales from the Last Great Huron Storyteller and the Last Great Swedish-American Big-Band Blonde-Bomb Madonna-Orphan Storyteller, the second book of the Waring trilogy (which never gained much readership).
[3] There was a third razz that Bill Blackburn performed for people, both when his friend mj was around, and also when he was not, that Dr. Lorenzo forgot until many years later, 2018 to be exact, when the present work was being prepared for publication on the internet. In a January 2018 email, he described it to Sammy Martinez in the following way:
When I was living in Stroudsburg in 72-75, I’d had little or no exposure to Japanese people up until then, but of course knew, having been born 14 months after Pearl Harbor (to the very day), that my country had been at grave all-out war with the Japanese nation during the first two and a half years of my life: so when Bill one day introduced me to a Japanese friend of his from the Waring Organization, 29 years later, it was difficult to ignore the association automatically created by my foolish brain; even though I considered myself somewhat liberal at times, socio-politically, having married a Canadian-socialist Native American, created a methadone program for heroin addicts, protested the Vietnam War in the streets on behalf of the Vietnamese people as much as on my own country’s behalf, and so forth. So, one day the ladies or somebody came up with the idea that we could help out my cousin’s ex-wife, who lived in a big new mansion up north on 611, on the other side of Stroudsburg. Bill and his Japanese friend and I went out there to patch a plumbing problem, and when we got down into the huge basement, big as a battleship hold and full of millions of pipes running in every direction, like a battleship, the two of them started tinkering and suddenly one burst like crazy and blew water all over May’s basement, and I shouted, “Oh no, it’s Pearl Harbor all over again!” thinking this was funny, partly because whenever I was around Bill, I was used to laughing and laughing and laughing at his jokes and stories, and something foolish in me told me it was my turn to be funny.
Indeed he did think it funny and he laughed at me for the rest of our lives, whenever he saw me; and I’m sure when I wasn’t around, too. This time I assumed I understood exactly why he thought it was hilarious: because it was not really considered hip to make Second World War jokes about Pearl Harbor with anyone Japanese in the room.
To me, though, it still, today, in
2018, seems kind of funny. I guess I thought someone
Japanese working for Fred Waring, one of history’s great
vaudeville jokesmiths, and hanging out with Bill Blackburn,
the world’s greatest laugher, would have to have a sense of
humor about
Bill immediately started razzing me in not a destructive way, but a rollicking, roasting way, making hilarious public fun of my wannabe joke, presumably with the intention of teaching me not to make such jokes.
But, on the other hand, I’m still not sure that this was really his point. If it really had been hilariously inappropriate for me to crack the joke, then it should have been equally hilariously inappropriate for him to keep drawing attention to it, shouldn’t it?
I’m sure he knew his Japanese friend well, and knew exactly what needed to be said and done in order to make amends for me, if such were needed; and he did do that, I assume, in his own inimitable way. I’m sure he then went on to tell that story about me whenever he and his Japanese friend were together and came upon a third person with whom they felt it was time for jollity, to whatever extent everybody could handle it.
Again I want to stress the point that all of Bill’s razzes of my idiosyncrasies were loving and teasing toward me, never destructive. In other words, they were neutral. His unique way of laughing uproariously created the neutral zone. He drew attention to what you had done, laughing and laughing at it to announce that he found you hilarious, but it was still left up to the audience to decide exactly how to judge you and your action.
Whereas, with his stories about Fred Waring, after a certain point, he took a decided stand on an issue and the neutrality went away, along with the laughing. As long as he was still laughing at Fred, Fred was relatively safe. But once Bill’s laughing stopped, as it did at a certain point during the night of the first interview, the listener knew that Bill Blackburn was out to set things straight, and maybe even get a little bit of harmless Huron revenge (like torturing the man psychologically all night long, and chowing down his heart at sunup).
Or maybe, come to think of it, what he was trying to
tell me was that I would never make it in
(Or maybe it was NEVER appropriate under ANY
circumstances to joke about Pearl Harbor, given the huge
tragic loss of American life that day and the huge tragedy
of having to go to war with Japan – and with very scarce
Navy after it was bombed to bits at Pearl Harbor. I, mj
lorenzo, am insisting Sammy and his crew add this last
paragraph, after I watched last night, February 13, 2018, a
TV program in Mexico on the SKY cable 'H2' History Channel
called “Pearl Harbor 75 Years Later.” I humbly apologize for
my joke. And furthermore, now that I think about it, I can’t
remember Bill ever mentioning his Air Force service during
the Korean War with any levity, either.)