chapter eight
and exactly who really WAS
that they were getting married
anyway
when you really thought about it for more than two lines of a
song
Fred
Waring and the Pennsylvanians in the 1960s
(Betty Ann as Madonna)
It was a great,
grand beat mj heard now; a slow, steady, mesmerizing,
southland river-cruisin’ beat; a syncopated Black gospel swing
beat; and it was a very soulful baritone soloing again,
croonin’ for all time:
Mmmlaaaaaaaaaaaaaaaa-zy-boohnes...........
Once upon a time,
Bill Blackburn had been an apostle of the old avatar, Fred
Waring, just as Poley and the rest of the Pennsylvanians had
always been. But now, as a New Age savior of his very first
disciple, Betty Ann McCall, Bill addressed his tiny
congregation, recounting his own first-hand version of his own
gospel story, the tale of his own rise to ascendancy over Fred
Waring, at least as far as he and Betty Ann were concerned. It
was a serious subject, therefore.
"So I went to see
Poley. Alone. I went over there."
Mj lorenzo glanced
at Betty Ann McCall and got no reaction. "Auh chuh huh," he
laughed. He preferred to have permission from her
to laugh at her for
‘making Bill do it
alone’, as Bill liked to put it; but she did not
acknowledge mj. Perhaps because: this was a serious subject
right now.
"Betty Ann wouldn't
go," Bill said. "She would not go. This girl was scared to
death."
The young doctor
felt a strong sympathetic compulsion to help poor Betty Ann
feel better, somehow, about the way her awful husband was so
openly, and shamelessly, using her as an object lesson in
gutlessness. He wanted to save her from disgrace; or at least
soften the blow, by showing that she was on his mind. So he
said, "I thought Fred was supposed to tell Poley."
"Yes, he did," said
Bill. "But they called to tell me how I should go tell Poley
now."
"Oh, boy!!" Dlune
shouted. What a farce. Dlune had gotten the message.
And Bill seized on
perceived support. "This is all because I'm gettin' married!
I've gotta go through all this goddam IN-trigue, right? To
get permission to marry my wife!"
The Dr. laughed it
up. He carried on at length, in fact, "!$#@$@-#!!!!X>>>,"
because an overwrought and ever more mystical – and
penetrating – understanding of the mess was multiplying like
some kind of organic light inside him. The light was
penetrating into each bizarrely sculpted twist of
metamorphosed maya mud. "<<<!$#@$@-#!!!!X>>>," he
laughed and laughed. "...<<<<<..!..>>>>>...."
"So," Bill tried to
continue. But he had to wait for hilarity to dissipate first,
because this was a
serious subject.
Finally Bill said,
"I went in there."
Dlune was lost
again, though, because social injustice was one of her fortes.
Her college in
"Oh, bull shit!"
Bill answered.
"Oh they do!” Betty
Ann chimed, breaking her inscrutable silence. “There was a
couple this year that was fired."
Dlune’s sense of
fairness was offended. "You're kidding."
"And the guy," said
Betty Ann, "had worked for Fred for four years."
"Ya know what Fred
told them?” Bill said to Dlune. “He said, 'I'll take one of
you back, but not both of you'."
"AH CHAH HAH
HAH!" Poor mj lorenzo
enjoyed one of the best private amplificatio tremendo’s
of his whole life.
He must have gotten a huge spiritual jolt off Fred’s line,
‘I’ll take one of you back, but not both of you’, because he
laughed for several days about it off and on.
Bill said, "And
both were rather important with Fred, I'd say. Just like that,
BANG! But the point is, she's very hesitant to even marry me
because, 'How are we going to tell these people?!' Is that
true?"
Betty Ann was
surprisingly droll, yet convincing. She showed exactly enough
real emotion to convince her friends: "Oh, of course! Yeh!"
she said. And she even seemed unaware that this might sound
funny to people who had loved and married each other knowing
nothing could stop them.
Two such people
looked first at one, and then at the other of the two
Blackburns, and wanted to snicker. They stifled it. But they
made the mistake of looking at each other. It ripened, and
they rocked and burst and spewed laughter at straight-faced
Betty Ann; who would have forgone marriage rather than tell
her boss and the boss’s best friend, both of whom were crazy
and dying old men, that she was in love with someone other
than them, and actually, of all things, wanted to marry him!
And after the interview was over the Lorenzos could hardly
believe, even weeks later, that Betty Ann had not made this
role up just to make them laugh. But she had not.
!!!XG^*++#!!!
XX$$%!... ##XX$@!...
###^^&&@@XX!!!
<<<<<..!!XXX!!..>>>>>
!
The Creator was ‘so beautiful’, as the guru had said on one tape, that he had made beautiful oceans, then given them waves and movement, and put so many lives into the oceans, ‘so many beautiful lives’. The Creator had made the Earth, and made man, and made the whole world, made the whole universe. And that was ‘a lot’, the guru said. It was a lot to do. Especially compared with man, for example, who had gotten himself as far as the moon finally and gone "Yay!" and had thought he was hot stuff, even after tripping into every kind of trap imaginable while getting there. But the Creator had made the moon, manufactured the whole thing. And it just seemed to him, the young guru, from his humble young universe-connected perspective, he said, that if someone did a job that big, as big as the universe, it was common sense to think there must have been some kind of reason for it all, some purpose behind so much work."2
There must have
been some reason, therefore, thought mj, for the Creator’s
having created Bill and Betty Ann; and even, maybe, a Betty
Ann who would not get married if it meant telling Fred and
Poley. But what the heck could it be?
Bill Blackburn was
scoring heroism points; and poor Betty Ann was losing in the
heroic category.
"OK,” said Bill,
satisfied he was understood sufficiently and perfectly, and
that his wife was still with him and backing him regardless of
how maimed her reputation was by now, thanks to him.
“Now,” he said
triumphantly, even pausing a little for dramatic emphasis: “So
I went and told Poley."
There was a
deliberate hypnotizing two/four beat. The Pennsylvanians were
in full chorus now, hymn-like, rocking and hymning on the flow
of a big, rhythmic, slow-moving giant river, maybe, or an
invisibly-moving bayou.
"I drove in the
yard," Bill said, "and up to the back door. And I knocked on
the door, and Yvette came to the back door and said –."
Bill made Yvette
sound hesitant: "'Oh. Hello, Bill. You wanna come in’?
"I said, 'Yes, I'd
like to come in, I'd like to talk to you a second'."
Old rockin'
chair's gaht meee,
Cane by my siiiiide.3
A single soprano
echoed the line:
Canebymysiiiiide..
"So, meanwhile Fred
had coached me. He had said that I should talk to Poley like he was ‘a father’
of Betty Ann. It would make things ‘a lot easier’."
The beat was
incredibly hypnotizing. But what was more startling: the
harmony was rich and four-part, like a
Fetch me that
gin, son,
'Fore I tan
your hide.
And the solo
soprano echoed in the baroque transepts:
I'lltanyourhiiiiide...
It was just one
more arrangement for chorus and orchestra of a Hoagy
Carmichael song, nothing more. But like so many Waring hits,
it was a dynamite
arrangement combined with a Fred Waring triumph of
interpretation. And the Pennsylvanians had done it on the road
for years to packed houses of die-hard fans from the old
Waring days; so MCA had included it, too, on their 2-record
set, “A Very Special Hour with Fred Waring and the
Pennsylvanians.”
Bill knew his
dramatic pace was about to build; and so he decided to recap
background historical points in saga-master form. As official
mythical frog-prince and savior-bard, he possessed the right
to legendize his
savior-frog tale of sacrifice and woe: "Poley and Yvette were
like parents to Betty Ann for fifteen years on the road," he
re-capped Biblical history, setting a tone for the next part
of the legend. He knew how to do such storyteller-ly things.
And an audience who truly appreciated what was going on might
have imagined a title or headline for this section of holy
fairy tale as:
Myth Maker
Surviving Miry
Odyssey
Recounts All
"Yvette watched after the girls in the chorus," he went on, “starting from the year that Fred insisted Yvette go on the road to keep Poley from drinking! Right? And Poley had been fond of Betty Ann ever since the day she had brought him his meals in bed. Right?"4
It was a
storytelling technique often used for training tenderfoot
braves: to go back and recap the history that had been
revealed via tales told during previous storytelling sessions.
And too, as mj
realized: Poley had always
been the deposed avatar’s, i.e. Fred’s, ‘most beloved
disciple’. So, in other words, it was always essential to
remember that Poley had slept his whole lifetime, since the
year 1900, when they were born just a block and six months
apart from each other, figuratively
with his head on Fred Waring’s breast.
"And she lived with
Poley and Yvette in
"So I went in and I
said, 'I have something: a little momentous news I'd like to
tell you people’.
"And Fred also told
me not to let them know that he had told me he was going to
tell them.
"They said, 'Oh,
really’?! Like they didn't know a thing. And that irritated me
even worse!"
New Age Savior
Recounts Ordeal of
Personal Sacrifice
Bill was clearly
disgusted. He must have identified with Chief Joseph by this
point in the tale: his favorite Indian hero, poor old Chief
Joseph, who had let himself be dragged all around Orrie Gone
Creation mercilessly for years and years by crazy White Man,
just because it was the only way to save his tribe. Bill was
re-experiencing poor Chief Joseph’s terrible and sad ordeal,
of being chased all over the territory by a bunch of crazy,
senseless, pale people who had left their own stomping ground
because they had not understood dog shit about how
to live in their own land contentedly; yet had assumed they
knew better than Chief Joseph how to live in his stomping ground.
"My wedding... was
just getting mired down in all this hypocrisy, y'know!
And mj lorenzo
sympathized. "Yeh!" He held back an urge to guffaw. "But,"
said mj, "what did you say that Fred said, not to say?"
Bill checked with
mj at every juncture of his answer: "He said not to tell
Poley;... that Fred had told me;... that he was going to tell
them;... that I was going to tell them.... OK?..." He had to make sure
tenderfoot mj was with him still.
“No.” It was not
okay. It was too complicated. And mj did not comprehend it,
even still. But he dropped it, out of respect for Bill’s
storytelling momentum. "Allright," said mj, letting things
proceed.
And they did; and
with the seriousness of Bill’s mood still intact, despite the
one millionth juvenile tenderfoot interruption, fortunately:
"So, I figured I'd better play this game. And the thing that
really made me feel that way, was the way she said –." Bill
did a rehearsed, over-dramatized Betty Ann: "'Oh, if ever he had a
heart attack, Bill, I could not live with myself’!
“So Yvette calls
Poley," Bill said, while his tiny audience struggled, still
trying to stifle mirth.
The antique,
spiritual-like, Black gospel song, as arranged, came off like
a kind of holy hymn, there was no denying. And yet it retained
a kind of slowly rockin' blues feel. It rocked, in fact, like
a slowly rockin’ holy rockin’ CHAIR.
Somewhere in the
world, there must have been a rocking chair
that was holy; and
slow:
Can't get from
this ca-biiin....
Go-in'
no-wheeeehre....
"Poley shuffled
from the living room to the kitchen. We sat at the kitchen
table. And I mean 'shuffled'.
So he walked in. He said," Bill acted surprised, as Poley
acted: "'Oh. Hi... Bill, how are you’? I said, 'Fine’. And he
created all kinds of small talk, and made all kinds of reasons
to get up from that table and keep getting away before I could
go into something, every time he came back.
“Now if you knew
Poley, he doesn't start conversation. He started more damn
stinkin' conversations about everything about whatever. I
don't remember, y'know."
The Waring song in
mj’s head was arranged too dramatically to be about nothing
but a rocking chair, of course. But the biggest surprise was
the way it succeeded at the unlikely trick of being both
bluesy and churchly-hymn-like at the same time. How could Fred
Waring, or anyone,
have produced such a miracle of choral sound as that
combination?
It made the swamp
feel SACRED!
Just sit-tin'
here grab-biiiin'
At the flies
'round this rock-in' chaaaaair....
"So finally," Bill
did old Yvette in his nose, trying to make her sound curious:
“Yvette says, 'Well, Poley, Bill says he has some big news for
us, and I'd like to hear it'!"
"Hahmph," said mj,
because Yvette had starred in silent film. And she seemed
actress-y as Bill had done her.
Bill said, "So I
said....,"
He was obviously
tiptoeing once again on ‘thin hen's eggs’.
New Savior of Betty
Ann
Asks Old Savior's
Favorite Disciple's Permission to Marry Her
(While Tip-Toeing
On Thin Hen’s Eggs)
"I said, 'Well, I
wanted to come over and let you people know before it got out,
because it's important to Betty Ann. She thinks of you people
as something like
parents’. I didn't say, 'As parents’. 'And
she's been very close
with you for years, and I wanted to let you know that...',"
Bill paused: "'I asked Betty Ann to marry me and she's
accepted. And we thought since you're so involved in her life,
you'd like to be... the first to know."
It was a Big Band
sound now, jazzy, upbeat and New
My dear old
Aunt Har-ri-et!
In Hea-ven she
beeeeee!
Send me Sweet
Cha-ri-ot!
For the end of
Trou-ble I seeeeeeeee....
Old Savior's
Favorite Male Disciple
Responds to New
Savior’s Request to Marry
Old Savior’s
Favorite Female Disciple
"Poley jumped up
and he says," Bill sounded genuine: "'Oh, that's wonderful!
Are we the first to know’? Ho-ho-huh. We went
through this whole god-damn thing again!!"
"Ohh," Dlune
sympathized.
"And I said,
'Yeh!'” Bill added.
Dlune laughed at
the answer.
"And he knew damn
well," Bill said, "he wasn't! I think Fred did talk to 'im,
don't you?"
"Yeh!" said Betty
Ann.
A trumpet fanfare
blasted and the Pennsylvanians sang:
Glory, glory!!
Followed by even
more trumpet fanfare and glory:
Glory, glory!!...
And finally there
was a trumpet fanfare to beat the fanfarin' band; and it was a
chorale-like line which the Pennsylvanians were singing:
Judg-ment Day is
here!...
With chimes ringing
out.
! ! !! (Chime chime.)
Poor Dlune had
fallen into the trap of trying to psychoanalyze holy river
muck, however; just as everybody before her had. Somebody had
forgotten to tell her, poor thing, that the rest of the world
had already stood on
their heads trying to understand this river muck and had
nearly drowned in the muck trying: "They probably play parent
to everybody," she said.
"Sure they do,"
Betty Ann said.
"They're born
parents,” mj the junior shrink jumped in: “and you're a born
orphan." He looked at Betty Ann.
"Yes," agreed Bill.
"So I had all these parents
I had to see. And I had to telephone her father, her foster, legitimate father."
"What did he say,"
Dlune asked, "'Was I the first to know'?"
"Ye-eh!" Betty Ann
endorsed the foolish jibe, laughing at herself. Finally!
Bill liked the
punch too. "I said that to 'im! 'We wanted you to know first'!" Bill
laughed and yelled: "I said that! I had gotten in the habit of
saying that. Ha-ha-ha-ha
–."
And mj lorenzo took
off on the thing too; but for his own unutterable reasons, of
course. He let go a mighty belly-soul laugh that was great for
the heart, freeing at least three planets in a faraway galaxy
from darkness.
He had kept hearing the guru say, as Dr. Lorenzo explained years later, how ‘perfect’ it all was. It wasn't ‘perfect’ enough ‘to just have an ocean’, as the guru had put it; it also ‘had to have waves’. It wasn't enough to make mountains; but to have you climb them and stand on them, right on the very tippy top. And then The Creator had to go and add peak snow and a rainbow. ‘Immaculate perfection’ was what Joey’s guru had called the whole immense thing.5
And it wasn’t just
enough to make Bill and Betty Ann, and let them row their
boats on the lakes and walk their hikes on the mountains, as
mj thought in his head. The Creator had to go and give the two
of them a love affair;
the perfect love, in fact; and the perfect friends for
witnessing their love affair.
Bill was loud and
laughing. Like any regular street opportunist, he capitalized
to the nth degree on Dlune’s perfectly timed naive quip when
he made up the next bit, almost certainly fictionalizing it:
"Then I called and told my mother the same thing! 'Mom, I got
news for you! You're the first one to know’!" He cried real tears of real
laughter, Bill-style. "I don't know who...," he choked, "who was the first one
to know!! #@%&*#! Hooooggghh$%#XX@#!"
It was a soprano
solo backed by full varmint choir now, singing loudly but
slowly in river muck; rip-soulin'; wailin'; like a super-loud
Black gospel blues chorale:
Ol' rock-in'
chair has done got me, Loohrd!
Judg-ment Day
is heeere!
Oh-oh-oh-oh-oooohhhh!
The soprano sounded
nostalgic for heaven:
Go-in' to
Heah-veehn
In my rock-in'
chaaaaair....
Chimes rang out
pure:
..!.!. (Chime chime.)
"Well, mj. To
finish this. Because this is, this –..."
"This vaudeville,"
mj said. "This Sunday School borscht circuit."
Betty Ann laughed.
But mj’s mind was
still yelling: 'This tragic theater! This maya mud wrestling!
This passion play!...'
"Are you ‘building’ to
something still?" he asked his storyteller.
"Yep!" said Bill.
"Still?! Chuh huh."
"He's always ‘building’ to something,"
said Betty Ann, aiming deftly at a chink in her husband’s
armor that only the married couple could have known about and
explained for certain: probably it was his compulsion for
telling super-long and super-dramatic stories day and night,
year in and year out. He had to tell stories to live, Bill
Blackburn did, to survive emotionally; and if you wanted to be
his friend, you simply had to accept the fact. He rarely could
stop to listen to you or to anyone else, because he was so
driven to talk to you himself; and it must have been not an
easy thing to live with, on a twenty four hour basis. You
could try one day to tell him your own little insignificant
tale, but few people in the world were more assertive than
Bill Blackburn. And poor Betty Ann must have had to develop a
whole repertoire of vaudeville stunts just to get her man’s
attention around the house.
"No," Bill said, wounded deftly, "no
but it-i-I –." He felt the fencing touché immediately.
But mj was pleased
and he said, "I just want you to keep ‘building’ and
‘building’ and ‘building’!"
Betty Ann laughed.
Her little buddy’s funny request surprised her. And it amused
her, even if she was
truly sick and tired of her husband’s endless
drama-building story approach to everything under the sun.
Bill seemed unsure
suddenly whether his New Age congregation (of three) truly
supported his elaborate version of the proper gospel truth;
and he defended it. "Mj, if you don't know this, then the
other parts –. You've got to lay the groundwork, really,
'cause nobody would believe this."
"People might not
buy the groundwork, either,” mj teased, needling Bill for
building up his new testament on his old testament so
painstakingly. “It’s too crazy. It’s way too crazy for
psychoanalytic theory to do anything with. People must think
you made it up!"
Mj looked at his
wife suddenly with concern, finally remembering that Dlune had
NOT come to hear all the ‘building up’ and ‘building up’ and
building up to the wedding; but just the wedding itself.
"Are you working
into the wedding?" mj asked Bill, while looking at Dlune.
"Yes," Bill
assured.
"OK. Then go
ahead," mj chuckled.
Bill knew how to be
patient with restless audiences, fortunately. He had been
forced to learn how; because U.S. Americans were not used to
hours and hours of storytelling like he had grown up on
(during the 30s and 40s) , having spent whole summers with his
mother and other defunct-Huron-tribe leftovers on Native
reservations and far northern backcountry outposts like back
porches and bar stools, listening to old relatives’ stories
and more stories.
"So,” Bill
proceeded at last, “Yvette said, 'Well, that's nice of you to
come over and tell us
first, Bill,' y'know. 'Now we haven't gotten along very
well at times, and we've had our differences. I know. But we
want you to know that we're
going to think of you as a son'."
"Just what you
wanted," shouted young
doctor mj lorenzo, as some funny bone in him snapped, "another goofy father!"
and he disrupted Bill Blackburn’s New Age Elaborated Gospel
one more time, with a burlesque outburst of hilarity.
Bill waited until
the ruckus had died. Then plaintively, re-experiencing it all,
he said: "I thought: ‘Maybe this will make things better,
because Betty Ann is still living over the garage’. So I said,
'Well, that's awfully nice of ya’.
And Bill would come
to regret that stupid
‘thought’, as mj said to himself, knowing the story as
he did.
“And Yvette came up
to me and she put her arms around me and I put my arms around
her. And Poley shook my hand; and Poley went out of the room!
“And she said,"
Bill softened and spoke at a deliberate pace, dramatizing
every nuance: "'You know! Poley really loves that girl! Now
I don't care about me, Bill! BUT! When you two are married, I think it
would be a very nice thing if Poley gave her away!"
"Tuh!" mj reacted,
knowing the whole story.
"I says," Bill was
peeved: "'Yvette, we've got a little problem in the fact that
John McCall is Betty Ann's legal adoptive father. And I'm sure
he's gonna wanna give her away'."
Bill grew soft, and
in dead earnest. "She says," he sounded eager, as she had:
"'Well..., maybe both of them
could do it'!"
"AH CHAH HAH!" went
mj.
"Now we come to the
wedding," said Bill.
"To the WHAT?!" mj
teased.
"To the wedding!"
"Meanwhile," said
Betty Ann, "everyone is passed out!"
But Bill defended
his long and detailed Waring sutra, aiming his defense at mj
lorenzo himself for some reason, not at the ladies at all,
even though they were the chief complainants: "Believe me, mj,
if people are going to understand how ridiculous this
organization is, that story I just related about us getting
together... –. There it is, right?"
"Yeh," said mj. "In
a large and fragile eggshell. Hnn—."
"Well," Bill was
unperturbed because he was an incredible hero, and he knew it.
"Comes the wedding." He added a few final globs of muddy
pathos: "Now Poley is demanding to this very moment he's gonna
give Betty Ann away. And when he found out John McCall was not
gonna be there, that was it. It was just a foregone conclusion."
The guru had his own incredible theory, of course, just exactly why the universe had been created and so many beautiful things put into it that could delight humans. He had not been building and building on this theme without reason. The Creator, he said, had not stopped with just making human beings, he had actually given them life inside, given them a form, and given them the opportunity of being born into the world. And the Creator had not even stopped at that. Because human beings also had been given the very special chance to live at the very same time that their guru lived. They had a chance to have the experience of learning Truth straight from their guru in a real and personal relationship. And nothing in the whole enormous and incredible universe was more perfect than that, he said. THAT was the absolute pinnacle of perfection, the be-all and end-all of human existence.6
"So," Bill said,
"at the wedding, I said to Fred, 'Thank you,' and all this
stuff.
"And he said," Bill
was gruff: "'Don't
thank me. I had nothing to do with it’.
"I said, 'You
certainly did. You were the
first one to know about it’.
"And Fred said,"
Bill acted indignant: "'You told Poley
before you told me'!"
"Ohhh," mj
lamented. "No!"
"Ohh," protested Dlune
equally.
On the contrary, love is glad with all good men when Truth prevails. And love knows no limit to its endurance, and no end to its trust, and no fading of its hope; it can outlast anything. And it still stands when everything else has fallen.7
1 These lines are quoted from
the opening of Chapter 4, "How Mr. Frog Did (Almost) Ask Miss
Mousie to Marry Him."
2
The Living Master: quotes from Guru
Maharaj Ji, p. 4.
(Speaking live to his followers in Miami Beach, Florida, July
31, 1977.) At one point in the book the guru uses the
expression, “...speaking humbly as I can...” (p. 32).
3
“Lazy Bones,” sometimes called ‘Rockin’ Chair,” Hoagy
Carmichael-Johnny Mercer. Arranged by Roy Ringwald. From a 1970
MCA double album (33 1/3 RPM), “A Very Special Hour with Fred
Waring and the Pennsylvanians,” sold only at live Fred Waring
concerts, Record 1. The baritone soloist was Joe Marine.
4
These two humorous stories are told in Tales of Waring, mj
lorenzo’s second book.
5 The Living Master, p. 4.
6 Ibid.
7 I
Corinthians 13:6-8, J. B. Phillips translation, paraphrased
slightly.